John Thomson – Gothic Ruins, Famagusta, Cyprus, 1878 | Framed Giclée Print

The tall pointed arches of a roofless church stand behind a field of high grass, open to the sky in every bay. Further off, another ruin.

Famagusta had been one of the richest ports of the eastern Mediterranean; by the time John Thomson arrived in the autumn of 1878, much of the walled town was ruins and fields. He published his views of the island the following year in Through Cyprus with the Camera.

What this is. A giclée print made from Thomson's own glass negative, which Henry Wellcome bought from the photographer in 1921. It is not a period photographic print and is not sold as one. The picture is printed the right way round, as a print from the plate shows the scene, so the handwriting on the plate edge reads in mirror image. Neutral black and white, exactly as the plate records it; no sepia has been added.

Scale
Original: wet-collodion glass negative — Wellcome Collection
50 × 40 cm / 19.7 × 15.7 in — Enlarged from the glass negative

The plate is reproduced whole, with its chipped edges and handwritten caption. Nothing is cropped.

Provenance
John Thomson (1837–1921), Famagusta, Cyprus, 1878; wet-collodion glass negative.
Wellcome Collection, London, 19000i.
Public domain (Public Domain Mark).

The frame
Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks, white border. Matte black wood frame, glazed with clear plexiglass instead of glass, so it travels safely. Print and frame ship together in one package and are assembled on site. Part of the Hotel Collection — volume pricing from ten pieces.