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  <url>
    <loc>https://museartis.com/blogs/notes/the-rhinoceros-durer-never-saw</loc>
    <lastmod>2026-09-04T23:30:58+02:00</lastmod>
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      <image:loc>https://cdn.shopify.com/s/files/1/1102/7139/8237/articles/notes-the-rhinoceros-durer-never-saw-header.jpg?v=1788206057</image:loc>
      <image:title>The Rhinoceros Dürer Never Saw</image:title>
      <image:caption>Detail of Albrecht Dürer&apos;s 1515 woodcut: the rhinoceros&apos;s head, horn and plated skin cut line by line into the block</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://museartis.com/blogs/notes/two-dates-that-decide</loc>
    <lastmod>2026-09-04T23:30:58+02:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1102/7139/8237/articles/notes-two-dates-that-decide-header.jpg?v=1788206059</image:loc>
      <image:title>Two Dates That Decide</image:title>
      <image:caption>A woman in a long coat walking away across a snow-covered paddock, a dark horse galloping behind her — photograph attributed to Félix Thiollier, 1899</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://museartis.com/blogs/notes/why-this-print-is-not-bigger</loc>
    <lastmod>2026-09-20T13:07:51+02:00</lastmod>
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    <image:image>
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      <image:title>Why This Print Is Not Bigger</image:title>
      <image:caption>The same detail of Hokusai&apos;s Great Wave printed at 300 dpi and at 156 dpi, side by side — the lower resolution is visibly soft</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://museartis.com/blogs/notes/the-frame-we-dont-sell</loc>
    <lastmod>2026-10-30T09:20:09+01:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1102/7139/8237/articles/notes-the-frame-we-dont-sell-header.jpg?v=1788207539</image:loc>
      <image:title>The Frame We Don&apos;t Sell</image:title>
      <image:caption>Diagram of the five layers in a framed print: glazing, mat or spacer, the sheet, backing board, and the moulding with a sealed back</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://museartis.com/blogs/notes/a-papyrus-we-cannot-print</loc>
    <lastmod>2026-09-04T23:30:58+02:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1102/7139/8237/articles/museartis-notes-odyssey-papyrus-header.jpg?v=1788247985</image:loc>
      <image:title>A Papyrus We Cannot Print</image:title>
      <image:caption>A papyrus fragment with lines from Homer&apos;s Odyssey, written in Egypt around 285–250 BCE, shown whole and in detail</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://museartis.com/blogs/notes/what-a-reproduction-was-for</loc>
    <lastmod>2026-09-05T11:18:36+02:00</lastmod>
    <changefreq>weekly</changefreq>
    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1102/7139/8237/articles/museartis-rembrandt-three-trees-plate.jpg?v=1788296508</image:loc>
      <image:title>What a Reproduction Was For</image:title>
      <image:caption>Rembrandt, The Three Trees, 1643 — the etching reproduced whole to the platemark</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://museartis.com/blogs/notes/the-radical-act-of-hanging-a-copy-on-your-wall</loc>
    <lastmod>2026-09-14T06:08:45+02:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1102/7139/8237/articles/museartis-rembrandt-three-trees-sideboard_ff8cd35b-923a-4c31-81bb-bc8fc1dec02c.jpg?v=1789358925</image:loc>
      <image:title>The Radical Act of Hanging a Copy on Your Wall</image:title>
      <image:caption>Rembrandt&apos;s The Three Trees as a giclée print at the original plate size, unframed, hung above a sideboard in a domestic interior</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://museartis.com/blogs/notes/true-to-scale-how-we-measure-a-work-before-we-print-it</loc>
    <lastmod>2026-09-19T20:51:47+02:00</lastmod>
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    <image:image>
      <image:loc>https://cdn.shopify.com/s/files/1/1102/7139/8237/articles/true-to-scale-manet-constable.jpg?v=1789843907</image:loc>
      <image:title>True to Scale: How We Measure a Work Before We Print It</image:title>
      <image:caption>Scale diagram at one scale: Manet&apos;s 196 x 108 cm canvas of the 1867 Exposition Universelle beside its prints at 0.43x and 0.30x, and Constable&apos;s Cloud Study beside its prints at 1:1 and 1.19x</image:caption>
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  </url>
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