{"title":"Winter Wall Art","description":"\u003cp\u003eWinter as the printmakers and painters actually saw it: a ricefield at dawn under a cold sky, a duck riding black water, camellia bent under snow, a horse led through a French village in 1899, and Monet’s wheatstacks at sunset with the snow turning blue.\u003c\/p\u003e\u003cp\u003eEvery sheet is printed from the highest-resolution file the holding museum publishes, at the original size wherever the original allows it. The sheet dimensions are given on each product page.\u003c\/p\u003e","products":[{"product_id":"attributed-to-felix-thiollier-lady-and-horse-in-the-snow-1899-giclee-print","title":"Attributed to Félix Thiollier – Lady and Horse in the Snow, 1899 | Giclée Print","description":"\u003cp\u003eA woman in a long dark coat walks away from us across a snow-covered paddock, a thin whip trailing from her right hand. Behind her a dark horse breaks into a gallop along the rail. Bare trees stand in the falling snow, and the light is so flat that everything except the two dark shapes dissolves into grey.\u003c\/p\u003e\n\u003cp\u003eIt is an ordinary working moment — a horse being exercised on a winter morning — held with the compositional care of a painting. Two black silhouettes on an almost white field, placed off centre, moving apart. Nothing in the picture explains itself.\u003c\/p\u003e\n\u003cp\u003eThe photograph is generally published as the work of Félix Thiollier (1842–1914) and dated 1899. Thiollier was a Saint-Étienne industrialist who left business early for art and archaeology, taught himself photography, and spent more than twenty years photographing the Forez — its monuments, its ruins, its people and above all its weather — leaving some three to four thousand negatives. He composed like a painter: deliberate framing, subdued light, deep texture. His descendants gave the surviving archive to the Musée d'art moderne et contemporain de Saint-Étienne Métropole in 2024.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks, in the warm grey of the surviving print rather than converted to neutral black and white.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 30 cm \/ 11.8 × 11.8 in\u003c\/strong\u003e — image 24 × 24 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The warm tone of the surviving print is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eAttributed to Félix Thiollier (1842–1914), \u003cem\u003eLady and Her Horse on a Snowy Day\u003c\/em\u003e, 1899; photograph.\u003cbr\u003e\nPrivate collection; no inventory number.\u003cbr\u003e\nPublic domain: the photograph is well over a century old and free in every market this shop serves, whoever made it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe record for this sheet\u003c\/strong\u003e\u003cbr\u003eThe file we worked from, the measurements, what we are allowed to sell, and the frame and mat dimensions: \u003ca href=\"\/pages\/sheet-record-thiollier-lady-and-horse\"\u003ethe full record\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 30 cm \/ 11.8 × 11.8 in — Image 24 × 24 cm","offer_id":65754118586717,"sku":"MUS-007-3030","price":49.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-thiollier-lady-and-horse-plate.jpg?v=1788171997"},{"product_id":"hiroshige-asakusa-ricefields-cat-giclee-print","title":"Utagawa Hiroshige – Asakusa Ricefields and Torinomachi Festival, 1857 | Giclée Print","description":"\u003cp\u003eA white cat sits on a windowsill with its back to us, looking out. Beyond the lattice: rice fields, a line of low roofs, geese in the sky and Mount Fuji, small and pale. On the sill behind the cat lie a hairpin and a folded paper — the room is a brothel in the Yoshiwara, and the guest has left at dawn.\u003c\/p\u003e\n\u003cp\u003eHiroshige tells the whole story by leaving the people out. It is the most quietly modern picture in the series: a framed view, a foreground object cut off by the edge, an animal standing in for everyone who is not shown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 35.9 × 24.8 cm \/ 14.1 × 9.8 in — Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eUtagawa Hiroshige (1797–1858), \u003cem\u003eAsakusa Ricefields and Torinomachi Festival (Asakusa tanbo Torinomachi mōde)\u003c\/em\u003e, from the series \u003cem\u003eOne Hundred Famous Views of Edo (Meisho Edo hyakkei)\u003c\/em\u003e, 1857; colour woodblock print, ōban, 35.9 × 24.8 cm.\u003cbr\u003e\nThe Art Institute of Chicago, Gift of Chester W.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe record for this sheet\u003c\/strong\u003e\u003cbr\u003eThe file we worked from, the measurements, what we are allowed to sell, and the frame and mat dimensions: \u003ca href=\"\/pages\/sheet-record-asakusa-ricefields\"\u003ethe full record\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Original size, 1:1","offer_id":65757020553565,"sku":"MUS-013-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65757021962589,"sku":"MUS-013-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-hiroshige-asakusa-ricefields-plate.jpg?v=1788193710"},{"product_id":"hiroshige-mount-daisen-ono-giclee-print","title":"Utagawa Hiroshige – Hōki Province: Distant View of Mount Daisen from Ono, 1853 | Giclée Print","description":"\u003cp\u003eRain over the rice fields at Ono. Hiroshige rules the whole sheet with fine diagonal lines — the woodblock shorthand for rain, each stroke cut into the block by hand — and behind them Mount Daisen stands flat and grey-blue, more a presence than a mountain.\u003c\/p\u003e\n\u003cp\u003eIn the paddies below, people go on working under wide hats, bent over the flooded terraces, while a line of dark pines holds the middle distance. It is the least dramatic subject in the series and one of the best: weather, distance and labour, held in three bands of colour.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 33 × 22.2 cm \/ 13.0 × 8.7 in — Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.8× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eUtagawa Hiroshige (1797–1858), \u003cem\u003eOno, Distant View of Mount Daisen in Hōki Province (Hōki, Ono, Daisen enbō)\u003c\/em\u003e, from the series \u003cem\u003eFamous Places in the Sixty-odd Provinces (Rokujūyoshū meisho zue)\u003c\/em\u003e, 1853; colour woodblock print, ōban, 33 × 22.2 cm.\u003cbr\u003e\nThe Art Institute of Chicago, Frederick W.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe record for this sheet\u003c\/strong\u003e\u003cbr\u003eThe file we worked from, the measurements, what we are allowed to sell, and the frame and mat dimensions: \u003ca href=\"\/pages\/sheet-record-mount-daisen\"\u003ethe full record\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Original size, 1:1","offer_id":65761699856733,"sku":"MUS-017-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.8× original","offer_id":65761699889501,"sku":"MUS-017-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-hiroshige-mount-daisen-plate-v4.jpg?v=1788335435"},{"product_id":"hiroshige-sparrows-camellia-snow-giclee-print","title":"Utagawa Hiroshige – Sparrows and Camellia in Snow, c. 1831–33 | Giclée Print","description":"\u003cp\u003eTwo sparrows drop through falling snow past a camellia branch, its leaves loaded and its flowers still open. The format is \u003cem\u003eōtanzaku\u003c\/em\u003e — a tall, narrow panel of about 38 by 17.3 centimetres, the shape used for poem-slips and for pictures meant to hang in the narrow space between two posts.\u003c\/p\u003e\n\u003cp\u003eHiroshige is remembered for landscapes, but he made hundreds of bird-and-flower panels like this one. The snow in them is not painted on: it is the paper itself, left unprinted — the drift on each leaf, the breasts of the birds, the flakes in the air. The picture is built out of what the blocks were cut to leave alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 38 × 17.3 cm \/ 15.0 × 6.8 in — ōtanzaku, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — original size, 1:1. Image 16.96 × 37.18 cm.\u003cbr\u003e\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — enlarged, 1.7× original. Image 28.28 × 62.00 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eUtagawa Hiroshige (1797–1858), \u003cem\u003eSparrows and Camellia in Snow\u003c\/em\u003e, c. 1831–33; colour woodblock print, ōtanzaku, 38 × 17.3 cm.\u003cbr\u003eThe Art Institute of Chicago, Gift of H.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe record for this sheet\u003c\/strong\u003e\u003cbr\u003eThe file we worked from, the measurements, what we are allowed to sell, and the frame and mat dimensions: \u003ca href=\"\/pages\/sheet-record-sparrows-camellia\"\u003ethe full record\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Original size, 1:1","offer_id":65762086224221,"sku":"MUS-020-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65762086256989,"sku":"MUS-020-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-020_SparrowsCamellia_plate_v2.jpg?v=1788321992"},{"product_id":"hiroshige-wild-duck-in-snow-giclee-print","title":"Utagawa Hiroshige – Wild Duck in Snow, 1830s | Giclée Print","description":"\u003cp\u003eA wild duck swims along a snow-covered bank. Above it the reeds bend under their own load of snow; below, the water is a deep, even blue with white flakes falling across it. The bird is the only warm thing in the picture — buff and brown against the cold — and it is drawn with the economy of someone who had watched ducks for a long time.\u003c\/p\u003e\n\u003cp\u003eThe format is \u003cem\u003eōtanzaku\u003c\/em\u003e, a tall narrow panel of about 38 by 17 centimetres, the shape used for poem-slips and for pictures hung in the narrow space between two posts. The snow is not painted on: it is the bare paper, left unprinted, with the blue laid around it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 38.2 × 17 cm \/ 15.0 × 6.7 in — ōtanzaku, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — original size, 1:1. Image 16.63 × 37.35 cm.\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — enlarged, 1.7× original. Image 27.61 × 62.00 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eUtagawa Hiroshige (1797–1858), \u003cem\u003eA Wild Duck Swimming by a Snow-covered Bank beneath Snow-laden Reeds\u003c\/em\u003e, 1830s; colour woodblock print, ōtanzaku, 38.2 × 17 cm.\u003cbr\u003e\nThe Art Institute of Chicago, Clarence Buckingham Collection, Acc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe record for this sheet\u003c\/strong\u003e\u003cbr\u003eThe file we worked from, the measurements, what we are allowed to sell, and the frame and mat dimensions: \u003ca href=\"\/pages\/sheet-record-wild-duck-in-snow\"\u003ethe full record\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Original size, 1:1","offer_id":65762950316381,"sku":"MUS-021-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65762950349149,"sku":"MUS-021-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-021_WildDuckSnow_plate.jpg?v=1788250467"},{"product_id":"claude-monet-stacks-of-wheat-sunset-snow-effect-1890-91-giclee-print","title":"Claude Monet – Stacks of Wheat (Sunset, Snow Effect), 1890–91 | Giclée Print","description":"\u003cp\u003eA stack of threshed wheat in a field under snow, with the sun going down behind it. Monet painted the stacks near his house at Giverny through the winter of 1890–91, returning to the same subject as the light moved; this is the canvas the Art Institute of Chicago holds, inscribed lower right «Claude Monet 91».\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the Art Institute of Chicago's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 100.4 × 65.3 cm \/ 39 1\/2 × 25 11\/16 in — oil on canvas, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.42× original. Image 42.00 × 27.14 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.51× original. Image 51.06 × 32.99 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eStacks of Wheat (Sunset, Snow Effect)\u003c\/em\u003e, 1890–91.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe record for this sheet\u003c\/strong\u003e\u003cbr\u003eThe file we worked from, the measurements, what we are allowed to sell, and the frame and mat dimensions: \u003ca href=\"\/pages\/sheet-record-monet-stacks-of-wheat\"\u003ethe full record\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.42× original","offer_id":65798954221917,"sku":"MUS-046-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.51× original","offer_id":65798954254685,"sku":"MUS-046-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-046_StacksOfWheat_plate.jpg?v=1788434462"}],"url":"https:\/\/museartis.com\/collections\/winter-wall-art.oembed","provider":"Museartis","version":"1.0","type":"link"}