{"title":"Warm Tones","description":"\u003cp\u003eRed, ochre, amber and rust. Hand-coloured engravings, autumn woodblocks and painted light — prints that warm a room rather than cool it, and hold their own against wood, brick and warm white walls in a living room or dining room.\u003c\/p\u003e","products":[{"product_id":"john-james-audubon-american-flamingo-1838-giclee-print","title":"John James Audubon – American Flamingo, 1838 | Giclée Print","description":"\u003cp\u003eAudubon drew the American Flamingo in 1838, near the end of \u003cem\u003eThe Birds of America\u003c\/em\u003e. The bird stands over four feet tall. The page he was working to — the double elephant folio, the largest book anyone had seriously attempted — measured about thirty-nine inches by twenty-six. It was not enough.\u003c\/p\u003e\n\u003cp\u003eSo he bent the bird. The flamingo lowers its head to the water in a curve that fills the sheet corner to corner, neck folded back on itself, the whole animal compressed into the only rectangle available. It is a solution to a printing problem, and it produced one of the most recognisable images in ornithology.\u003c\/p\u003e\n\u003cp\u003eAbove the bird, small and precise, Audubon set nine studies: the beak seen from several angles and opened in section, and the webbed foot. He was a hunter and a showman, but he was also keeping notes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\nMost print shops stretch any image onto any sheet without comment. We do not. Audubon's folio is larger than any sheet we print, so this one goes the other way: both sizes are reductions, and the factor is named.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone and hand-colouring of the original are kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eJohn James Audubon (1785–1851), \u003cem\u003eAmerican Flamingo; Greater Flamingo\u003c\/em\u003e, Plate CCCCXXXI from \u003cem\u003eThe Birds of America\u003c\/em\u003e, London 1827–1838; hand-coloured aquatint engraving after the watercolour of 1838, engraved, printed and coloured by Robert Havell Jr., sheet 97.2 × 65.1 cm \/ 38.25 × 25.625 in.\u003cbr\u003e\nDarlington Collection, Archives \u0026amp; Special Collections, University of Pittsburgh Library System, pitt:aud0431.\u003cbr\u003e\nThe work is in the public domain worldwide; the University of Pittsburgh publishes its digitisation under the rights statement “No Copyright – United States”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-audubon-american-flamingo\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Reduced, 0.59× original","offer_id":65758548132189,"sku":"MUS-003-5070","price":89.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 100 cm \/ 27.6 × 39.4 in — Reduced, 0.82× original","offer_id":65742269579613,"sku":"MUS-003-70100","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/audubon-american-flamingo-1838-giclee-print.webp?v=1788128631"},{"product_id":"hiroshige-maples-at-mama-giclee-print","title":"Utagawa Hiroshige – Maples at Mama, 1857 | Giclée Print","description":"\u003cp\u003eRed maple leaves hang across the whole top of the sheet, so close that the branch is cut off by the frame. Underneath, far below and very small, a teahouse, a pine, the roofs of the Tekona shrine and a strip of water. The eye is put where a person standing under the tree would have it — a piece of framing so modern it looks like a photograph taken by accident.\u003c\/p\u003e\n\u003cp\u003eHiroshige made it in the first month of 1857 for \u003cem\u003eOne Hundred Famous Views of Edo\u003c\/em\u003e, his last great series. Mama, in what is now Chiba, was a half-day trip from the city and famous for its autumn colour. The deep red is a printed gradation, wiped onto the block by hand before each pull, so no two impressions are quite alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal sheet: 35.5 × 24.2 cm \/ 14.0 × 9.5 in — Minneapolis Institute of Art\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — original size, 1:1. Image 21.09 × 32.36 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eUtagawa Hiroshige (1797–1858), \u003cem\u003eMaples at Mama (Mama no momiji)\u003c\/em\u003e, from the series \u003cem\u003eOne Hundred Famous Views of Edo (Meisho Edo hyakkei)\u003c\/em\u003e, 1857, 1st month; colour woodblock print, ōban, 35.5 × 24.2 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-maples-at-mama\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Original size, 1:1","offer_id":65756457402717,"sku":"MUS-012-4050","price":59.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-012_MaplesAtMama_plate_v2.jpg?v=1788244357"},{"product_id":"claude-monet-stacks-of-wheat-sunset-snow-effect-1890-91-giclee-print","title":"Claude Monet – Stacks of Wheat (Sunset, Snow Effect), 1890–91 | Giclée Print","description":"\u003cp\u003eA stack of threshed wheat in a field under snow, with the sun going down behind it. Monet painted the stacks near his house at Giverny through the winter of 1890–91, returning to the same subject as the light moved; this is the canvas the Art Institute of Chicago holds, inscribed lower right «Claude Monet 91».\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the Art Institute of Chicago's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 100.4 × 65.3 cm \/ 39 1\/2 × 25 11\/16 in — oil on canvas, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.42× original. Image 42.00 × 27.14 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.51× original. Image 51.06 × 32.99 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eStacks of Wheat (Sunset, Snow Effect)\u003c\/em\u003e, 1890–91.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-monet-stacks-of-wheat\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.42× original","offer_id":65798954221917,"sku":"MUS-046-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.51× original","offer_id":65798954254685,"sku":"MUS-046-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-046_StacksOfWheat_plate.jpg?v=1788434462"},{"product_id":"katsushika-hokusai-south-wind-clear-sky-red-fuji-1830-33-giclee-print","title":"Katsushika Hokusai – South Wind, Clear Sky (Red Fuji), 1830–33 | Giclée Print","description":"\u003cp\u003eThe mountain, the sky, a band of cloud, and nothing else. Hokusai gives the whole left half of the sheet to air and puts Fuji off to the right, so that what you look at first is not the mountain but the space it stands in. The red is the colour the cone takes at dawn on a clear summer morning when a south wind has blown the haze off — a thing that happens for perhaps a few days a year, which is why the sheet is called \u003cem\u003eGaifū kaisei\u003c\/em\u003e, «south wind, clear sky», and why everyone else calls it the Red Fuji.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction, printed with pigment inks from the museum's own open-access photograph of this impression. Not the design redrawn, but this sheet — the woodgrain in the blue, the paper fibre, the block edges, the small unevennesses of a hand-pulled print. It is not a woodblock print. It is a print on paper, and it is sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eOriginal: colour woodblock print (nishiki-e), ōban yoko-e, 25.7 × 37.7 cm. Minneapolis Institute of Art\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — original size, 1:1. Image 37.70 × 25.90 cm, 624 dpi available.\u003cbr\u003e \u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — enlarged, 1.56× original. Image 58.80 × 40.39 cm, 400 dpi available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eKatsushika Hokusai (Japanese, 1760–1849), \u003cem\u003eSouth Wind, Clear Sky (Gaifū kaisei)\u003c\/em\u003e, also known as Red Fuji, from the series \u003cem\u003eThirty-six Views of Mount Fuji (Fugaku sanjūrokkei)\u003c\/em\u003e, c. 1830–33.\u003cbr\u003e Colour woodblock print (nishiki-e), ink and colour on paper, ōban, 25.7 × 37.7 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-red-fuji\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Original size, 1:1","offer_id":65809489953117,"sku":"MUS-053-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Enlarged, 1.56× original","offer_id":65809489985885,"sku":"MUS-053-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-hokusai-red-fuji-plate_a635b50a-0b0f-4037-b239-5e5ea0055fa3.jpg?v=1788509999"},{"product_id":"henri-rousseau-fight-between-a-tiger-and-a-buffalo-1908-giclee-print","title":"Henri Rousseau – Fight Between a Tiger and a Buffalo, 1908 | Giclée Print","description":"\u003cp\u003eA tiger has a buffalo by the throat in the middle of a jungle that never existed. Around them: banana clusters hanging like lanterns, orange fruit, a fan of blades, and a wall of green built leaf by leaf up to a strip of pale sky. The two animals are almost the smallest thing in the picture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the Cleveland Museum of Art’s own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eOriginal: 170 × 189.5 cm — oil on fabric, Cleveland Museum of Art\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.22× original. Image 42.00 × 37.63 cm.\u003cbr\u003e \u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.31× original. Image 58.80 × 52.68 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eHenri Rousseau (French, 1844–1910), \u003cem\u003eFight Between a Tiger and a Buffalo\u003c\/em\u003e, 1908.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-rousseau-tiger-buffalo\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.22× original","offer_id":65816061772125,"sku":"MUS-057-5050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.31× original","offer_id":65816061804893,"sku":"MUS-057-7070","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-rousseau-tiger-buffalo-plate.jpg?v=1788590102"},{"product_id":"jan-davidsz-de-heem-still-life-with-flowers-in-a-glass-vase-c-1650-83-giclee-print","title":"Jan Davidsz. de Heem – Still Life with Flowers in a Glass Vase, c. 1650–83 | Giclée Print","description":"\u003cp\u003eA bouquet crowded into a glass vase on a stone ledge: red and white tulips, a scarlet poppy, roses, carnations, a snake’s head fritillary, morning glories, honeysuckle, a pea pod, an ear of wheat. It is not a bouquet anyone could have picked — the flowers bloom in different months. De Heem painted them from studies, out of season, all at once.\u003c\/p\u003e\u003cp\u003eThen look closer. A red admiral sits at the top left, a snail crosses the ledge at the bottom right, caterpillars and ants work their way through the leaves, and a spider waits in the shadow. The insects are the reason the picture is more than a bouquet: they are the clock inside it.\u003c\/p\u003e\u003cp\u003eThe support is copper, not canvas — a smooth plate that takes fine brushwork the way enamel does, which is why the highlights on the glass and the water hold at any distance and the paint shows no weave.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA false signature.\u003c\/strong\u003e The painting carries the name of Rachel Ruysch, added by a later hand at a time when her flower pieces sold for more. The Rijksmuseum records the signature as false and gives the picture to Jan Davidsz. de Heem. It prints with the painting — a wrong signature is part of an object’s history, not a blemish to remove.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the Rijksmuseum’s own open-access photograph. It is not a painting and is not sold as one.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 54.5 × 36.5 cm — oil on copper, Rijksmuseum, Amsterdam\u003c\/em\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.81× original. Image 29.60 × 43.60 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — original size, 1:1. Image 36.50 × 53.75 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, centred on the sheet. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eJan Davidsz. de Heem (Dutch, 1606–1684), \u003cem\u003eStill Life with Flowers in a Glass Vase\u003c\/em\u003e, 1650–83, oil on copper. Rijksmuseum, Amsterdam, SK-C-214, on loan from the City of Amsterdam (A. van der Hoop Bequest).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-de-heem-flowers-glass-vase\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Reduced, 0.81× original","offer_id":65855210520925,"sku":"MUS-066-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Original size, 1:1","offer_id":65855210553693,"sku":"MUS-066-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-066-deheem-plate_89399f4e-3717-4826-8083-3ff08af45cee.jpg?v=1788846262"},{"product_id":"musee-entomologique-illustre-hymenopteres-pl-vii-1878-giclee-print","title":"Musée entomologique illustré – Hyménoptères, Pl. VII, 1878 | Giclée Print","description":"\u003cp\u003eA carpenter bee with rust-red wings hangs over a passionflower, and three more bees — two of them metallic green and gold — work the same tangle of petals and tendrils. The plate was cut in wood and coloured by hand for a French natural-history serial of 1878, and the four insects are named in the margin in the Latin of the day: \u003cem\u003eXylocopa morio\u003c\/em\u003e, \u003cem\u003eChrysantheda frontalis\u003c\/em\u003e, \u003cem\u003eEuglossa Romandi\u003c\/em\u003e, \u003cem\u003eCentris denudans\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is\u003c\/strong\u003e — A giclée reproduction of a hand-coloured wood engraving, printed on fine art paper. It is not an original print, and it is not sold as one. The paper tone of the original is kept, not corrected.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e — The original leaf measures 19.0 × 26.6 cm. We print it larger: the picture is 30 × 42 cm on the 40 × 50 sheet and 40 × 56 cm on the 50 × 70 sheet, both drawn from an 850 ppi capture made for us by the Smithsonian Libraries and Archives.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e — 200 gsm matte fine art paper, pigment inks, a white margin on all four sides, unframed, shipped rolled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e — \u003cem\u003eMusée entomologique illustré\u003c\/em\u003e, vol. 3 (Les Insectes), Paris: J. Rothschild, 1878, plate “Hyménoptères — Pl. VII”, digitised for us from the copy held by the Smithsonian Libraries and Archives. Courtesy of Smithsonian Libraries and Archives.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e — \u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Enlarged 1.58× original","offer_id":65858920186205,"sku":"MUS-070-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged 2.11× original","offer_id":65858920218973,"sku":"MUS-070-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/ce64bbc0-0196-4060-903a-dac315baa619.webp?v=1788875747"},{"product_id":"franz-michael-regenfuss-shells-plate-iii-from-choix-de-coquillages-et-de-crustaces-1758-giclee-print","title":"Franz Michael Regenfuss – Shells, Plate III from Choix de Coquillages et de Crustacés, 1758 | Giclée Print","description":"\u003cp\u003eA great spotted cone stands in the middle of the sheet, chequered black on white like a piece of tilework, and around it the engraver has laid out cowries, a green thorny murex, two reticulated volutes and, at the foot, a rose-red scallop. Every shell is numbered in the margin — the plate was made for collectors who wanted to identify what they had bought. It was cut and coloured in Copenhagen in 1758 for Regenfuss's folio of shells, printed with a royal privilege that is named in the caption line at the bottom.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is\u003c\/strong\u003e — A giclée reproduction of a hand-coloured engraving, printed on fine art paper. It is not an original print, and it is not sold as one. The paper tone of the original is kept, not corrected.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e — On the 50 × 70 sheet the plate is printed at its original size, 29.0 × 42.8 cm. On the 40 × 50 sheet the same picture is reduced to 0.80×, 23.2 × 34.2 cm. Both are drawn from the 400 dpi scan of the Zurich copy, and both keep the narrow band of the old laid paper that surrounds the printed area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e — 200 gsm matte fine art paper, pigment inks, a white margin on all four sides, unframed, shipped rolled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e — Franz Michael Regenfuss (1712–1780), \u003cem\u003eAuserlesne Schnecken, Muscheln und andre Schaalthiere \/ Choix de Coquillages et de Crustacés\u003c\/em\u003e, Copenhagen 1758, plate III, hand-coloured engraving after Gabriel Müller, from the copy held by the Zentralbibliothek Zürich. The museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-regenfuss-plate-iii\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom the same series\u003c\/strong\u003e — \u003ca href=\"\/collections\/shell-plates-regenfuss\"\u003eShell Plates — Regenfuss 1758\u003c\/a\u003e: three sheets from the same folio, built to hang together.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e — \u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40x50 cm \/ 16x20″","offer_id":65942972170589,"sku":"MUS-071-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50x70 cm \/ 20x28″","offer_id":65942972203357,"sku":"MUS-071-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-071-plate-v2.jpg?v=1789643798"},{"product_id":"franz-michael-regenfuss-shells-plate-iv-from-choix-de-coquillages-et-de-crustaces-1758-giclee-print","title":"Franz Michael Regenfuss – Shells, Plate IV from Choix de Coquillages et de Crustacés, 1758 | Giclée Print","description":"\u003cp\u003eTwo great scallops hold the vertical axis of this sheet: a scarlet one at the head, fluted and slightly frayed at the edge, and below it a broad orange one with its ribs drawn one by one. Around them the engraver has set a frilled murex, marbled clams, a spotted cone and two dark mussels, violet and near-black, so that the colour runs from red through orange to blue-black down the page. It was cut and coloured in Copenhagen in 1758 for Regenfuss's folio of shells, printed with a royal privilege that is named in the caption line at the bottom.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is\u003c\/strong\u003e — A giclée reproduction of a hand-coloured engraving, printed on fine art paper. It is not an original print, and it is not sold as one. The paper tone of the original is kept, not corrected.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e — On the 50 × 70 sheet the plate is printed at its original size, 28.9 × 42.3 cm. On the 40 × 50 sheet the same picture is reduced to 0.80×, 23.1 × 33.9 cm. Both are drawn from the 400 dpi scan of the Zurich copy, and both keep the narrow band of the old laid paper that surrounds the printed area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e — 200 gsm matte fine art paper, pigment inks, a white margin on all four sides, unframed, shipped rolled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e — Franz Michael Regenfuss (1712–1780), \u003cem\u003eAuserlesne Schnecken, Muscheln und andre Schaalthiere \/ Choix de Coquillages et de Crustacés\u003c\/em\u003e, Copenhagen 1758, plate IV, hand-coloured engraving after Gabriel Müller, from the copy held by the Zentralbibliothek Zürich. The museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-regenfuss-plate-iv\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom the same series\u003c\/strong\u003e — \u003ca href=\"\/collections\/shell-plates-regenfuss\"\u003eShell Plates — Regenfuss 1758\u003c\/a\u003e: three sheets from the same folio, built to hang together.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e — \u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40x50 cm \/ 16x20″","offer_id":65943003660637,"sku":"MUS-072-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50x70 cm \/ 20x28″","offer_id":65943003693405,"sku":"MUS-072-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-072-plate-v2.jpg?v=1789643928"},{"product_id":"franz-michael-regenfuss-shells-plate-vii-from-choix-de-coquillages-et-de-crustaces-1758-giclee-print","title":"Franz Michael Regenfuss – Shells, Plate VII from Choix de Coquillages et de Crustacés, 1758 | Giclée Print","description":"\u003cp\u003eThis is the quietest of the three sheets and the most strictly built: a red scallop at the head and a pale fluted one below it hold the axis, and the rest of the shells are set out left and right in mirrored pairs, frilled murex against frilled murex, cone against cone. Regenfuss numbered each one in the margin for collectors who wanted to identify what they had bought. It was cut and coloured in Copenhagen in 1758 for his folio of shells, printed with a royal privilege that is named in the caption line at the bottom.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is\u003c\/strong\u003e — A giclée reproduction of a hand-coloured engraving, printed on fine art paper. It is not an original print, and it is not sold as one. The paper tone of the original is kept, not corrected.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e — On the 50 × 70 sheet the plate is printed at its original size, 28.7 × 42.6 cm. On the 40 × 50 sheet the same picture is reduced to 0.80×, 23.0 × 34.1 cm. Both are drawn from the 400 dpi scan of the Zurich copy, and both keep the narrow band of the old laid paper that surrounds the printed area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e — 200 gsm matte fine art paper, pigment inks, a white margin on all four sides, unframed, shipped rolled.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e — Franz Michael Regenfuss (1712–1780), \u003cem\u003eAuserlesne Schnecken, Muscheln und andre Schaalthiere \/ Choix de Coquillages et de Crustacés\u003c\/em\u003e, Copenhagen 1758, plate VII, hand-coloured engraving after Gabriel Müller, from the copy held by the Zentralbibliothek Zürich. The museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-regenfuss-plate-vii\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom the same series\u003c\/strong\u003e — \u003ca href=\"\/collections\/shell-plates-regenfuss\"\u003eShell Plates — Regenfuss 1758\u003c\/a\u003e: three sheets from the same folio, built to hang together.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e — \u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40x50 cm \/ 16x20″","offer_id":65943041868125,"sku":"MUS-073-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50x70 cm \/ 20x28″","offer_id":65943041900893,"sku":"MUS-073-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-073-plate-v2.jpg?v=1789644058"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/collections\/MUS-012_MaplesAtMama_plate_v2.jpg?v=1789748802","url":"https:\/\/museartis.com\/collections\/warm-tones.oembed","provider":"Museartis","version":"1.0","type":"link"}