{"title":"Photography","description":"\u003cp\u003eEarly photography, from the decades when the medium was still deciding what it was for.\u003c\/p\u003e\u003cp\u003eCyanotypes, survey photographs, portraits made when sitting still for a camera was an event.\u003c\/p\u003e","products":[{"product_id":"anna-atkins-dictyota-dichotoma-1853-giclee-print","title":"Anna Atkins – Dictyota dichotoma, 1853 | Giclée Print","description":"\u003cp\u003eAnna Atkins made this image without a camera. She laid a piece of dried seaweed on paper coated with iron salts, put it in the sun, and rinsed it in water. What the plant covered stayed white. Everything else turned Prussian blue.\u003c\/p\u003e\n\n\u003cp\u003eShe did this several thousand times. Between 1843 and 1853 she produced \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e — the first book in history illustrated with photographs, published eight months before Talbot's \u003cem\u003ePencil of Nature\u003c\/em\u003e. Perhaps twenty-five copies were ever assembled, each plate printed by hand, each caption written by hand.\u003c\/p\u003e\n\n\u003cp\u003eShe was a botanist, not an artist, and the intention was documentary: a visual key to species that line engraving rendered badly. The result is something else. A brown-branched alga on white paper is a specimen. The same alga as a white silhouette on deep blue is a drawing made by the plant itself.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhich copy.\u003c\/strong\u003e This one is the New York Public Library's — the set Atkins sent to Sir John Herschel, the astronomer who invented the cyanotype process and to whom she owed it. Because every leaf in every copy was coated, exposed and captioned by hand, no two copies are alike. Her caption here reads \u003cem\u003eDictyota dichotoma, in the young state; and in fruit\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction of one of Atkins's cyanotypes, printed with pigment inks. It is not a cyanotype and is not sold as one — a real cyanotype is a unique object made in sunlight, and Atkins's are in museums.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal leaf: approx. 27 × 21 cm \/ 10.6 × 8.3 in — The New York Public Library\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 2.0× original\u003c\/p\u003e\n\n\u003cp\u003eAt original size the sheet carries the cyanotype exactly as Atkins made it. Enlarged, the seaweed reads across a room and the paper grain of 1853 becomes visible — which is a different picture, and a deliberate one. Both sizes are printed at 300 dpi, the resolution fine art paper resolves.\u003c\/p\u003e\n\n\u003cp\u003eThe leaf is reproduced whole, including Atkins's handwritten caption. Only the facing page and the binding edge are trimmed away.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\nAnna Atkins (1799–1871), \u003cem\u003eDictyota dichotoma, in the young state; and in fruit\u003c\/em\u003e, from \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e, 1843–1853; cyanotype, leaf approx. 27 × 21 cm.\u003cbr\u003e\nThe New York Public Library, Spencer Collection — the copy presented to Sir John Herschel. Shelf locator: Spencer Coll. Eng. 1843 93-440.\u003cbr\u003e\nThe work is in the public domain worldwide; the Library publishes its digitisation as public domain in the United States and asks to be credited.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65752620237149,"sku":"MUS-004-3040","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 2.1× original","offer_id":65752620269917,"sku":"MUS-004-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-atkins-dictyota-plate-v2.jpg?v=1788200361"},{"product_id":"anna-atkins-ptilota-plumosa-1853-giclee-print","title":"Anna Atkins – Ptilota plumosa, 1853 | Giclée Print","description":"\u003cp\u003e\u003cem\u003ePtilota plumosa\u003c\/em\u003e is a red alga that grows in fine, opposite branches, like a feather cut from wire. Under the sun, on iron-salted paper, it left this: a white plume on Prussian blue, every side branch separated, nothing drawn.\u003c\/p\u003e\n\n\u003cp\u003eAnna Atkins made her images without a camera. She laid the dried plant on coated paper, exposed it to daylight and rinsed it in water. Between 1843 and 1853 she did this several thousand times and produced \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e — the first book in history illustrated with photographs. Perhaps twenty-five copies were ever assembled.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhich copy.\u003c\/strong\u003e This one is the New York Public Library's — the set Atkins sent to Sir John Herschel, the astronomer who invented the cyanotype process and to whom she owed it. Because every leaf in every copy was coated, exposed and captioned by hand, no two copies are alike.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction of one of Atkins's cyanotypes, printed with pigment inks. It is not a cyanotype and is not sold as one — a real cyanotype is a unique object made in sunlight, and Atkins's are in museums.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal leaf: approx. 27 × 21 cm \/ 10.6 × 8.3 in — The New York Public Library\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 2.0× original\u003c\/p\u003e\n\n\u003cp\u003eAt original size the sheet carries the cyanotype exactly as Atkins made it. Enlarged, the plume reads across a room and the paper grain of 1853 becomes visible — which is a different picture, and a deliberate one. Both sizes are printed at 300 dpi, the resolution fine art paper resolves.\u003c\/p\u003e\n\n\u003cp\u003eThe leaf is reproduced whole, including Atkins's handwritten species name. Only the facing page and the binding edge are trimmed away.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\nAnna Atkins (1799–1871), \u003cem\u003ePtilota plumosa\u003c\/em\u003e, from \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e, 1843–1853; cyanotype, leaf approx. 27 × 21 cm.\u003cbr\u003e\nThe New York Public Library, Spencer Collection — the copy presented to Sir John Herschel. Shelf locator: Spencer Coll. Eng. 1843 93-440.\u003cbr\u003e\nThe work is in the public domain worldwide; the Library publishes its digitisation as public domain in the United States and asks to be credited.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65752625676637,"sku":"MUS-005-3040","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 2.1× original","offer_id":65752625774941,"sku":"MUS-005-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-atkins-ptilota-plate-v2.jpg?v=1788200361"},{"product_id":"anna-atkins-delesseria-hypoglossum-1853-giclee-print","title":"Anna Atkins – Delesseria hypoglossum, 1853 | Giclée Print","description":"\u003cp\u003e\u003cem\u003eDelesseria hypoglossum\u003c\/em\u003e grows in thin translucent blades, one leaf springing from the midrib of the last. Laid on sensitised paper and left in the sun, it printed as a chain of pale leaves — a plant that looks drawn, and was not.\u003c\/p\u003e\n\n\u003cp\u003eAnna Atkins made her images without a camera. She laid the dried plant on coated paper, exposed it to daylight and rinsed it in water. Between 1843 and 1853 she did this several thousand times and produced \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e — the first book in history illustrated with photographs. Perhaps twenty-five copies were ever assembled.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhich copy.\u003c\/strong\u003e This one is the New York Public Library's — the set Atkins sent to Sir John Herschel, the astronomer who invented the cyanotype process and to whom she owed it. Because every leaf in every copy was coated, exposed and captioned by hand, no two copies are alike.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction of one of Atkins's cyanotypes, printed with pigment inks. It is not a cyanotype and is not sold as one — a real cyanotype is a unique object made in sunlight, and Atkins's are in museums.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal leaf: approx. 27 × 21 cm \/ 10.6 × 8.3 in — The New York Public Library\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 2.0× original\u003c\/p\u003e\n\n\u003cp\u003eAt original size the sheet carries the cyanotype exactly as Atkins made it. Enlarged, the leaf blades read across a room and the paper grain of 1853 becomes visible — which is a different picture, and a deliberate one. Both sizes are printed at 300 dpi, the resolution fine art paper resolves.\u003c\/p\u003e\n\n\u003cp\u003eThe leaf is reproduced whole, including Atkins's handwritten species name. Only the facing page and the binding edge are trimmed away.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\nAnna Atkins (1799–1871), \u003cem\u003eDelesseria hypoglossum\u003c\/em\u003e, from \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e, 1843–1853; cyanotype, leaf approx. 27 × 21 cm.\u003cbr\u003e\nThe New York Public Library, Spencer Collection — the copy presented to Sir John Herschel. Shelf locator: Spencer Coll. Eng. 1843 93-440.\u003cbr\u003e\nThe work is in the public domain worldwide; the Library publishes its digitisation as public domain in the United States and asks to be credited.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65752625709405,"sku":"MUS-006-3040","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 2.1× original","offer_id":65752625807709,"sku":"MUS-006-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-atkins-delesseria-plate-v2.jpg?v=1788200361"},{"product_id":"attributed-to-felix-thiollier-lady-and-horse-in-the-snow-1899-giclee-print","title":"Attributed to Félix Thiollier – Lady and Horse in the Snow, 1899 | Giclée Print","description":"\u003cp\u003eA woman in a long dark coat walks away from us across a snow-covered paddock, a thin whip trailing from her right hand. Behind her a dark horse breaks into a gallop along the rail. Bare trees stand in the falling snow, and the light is so flat that everything except the two dark shapes dissolves into grey.\u003c\/p\u003e\n\n\u003cp\u003eIt is an ordinary working moment — a horse being exercised on a winter morning — held with the compositional care of a painting. Two black silhouettes on an almost white field, placed off centre, moving apart. Nothing in the picture explains itself.\u003c\/p\u003e\n\n\u003cp\u003eThe photograph is generally published as the work of Félix Thiollier (1842–1914) and dated 1899. Thiollier was a Saint-Étienne industrialist who left business early for art and archaeology, taught himself photography, and spent more than twenty years photographing the Forez — its monuments, its ruins, its people and above all its weather — leaving some three to four thousand negatives. He composed like a painter: deliberate framing, subdued light, deep texture. His descendants gave the surviving archive to the Musée d'art moderne et contemporain de Saint-Étienne Métropole in 2024.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOn the attribution.\u003c\/strong\u003e It is traditional rather than documented, and this edition says so. Asked about this photograph in March 2025, the museum's Collections service replied that it could not confirm the attribution from its records. The title and the year travel with the picture wherever it is reproduced; neither has a museum source behind it. What is not in question is the period — dress, plate and handling place the picture firmly around 1900 — nor the copyright status: a photograph of that age is in the public domain whoever made it.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks, in the warm grey of the surviving print rather than converted to neutral black and white.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 30 cm \/ 11.8 × 11.8 in\u003c\/strong\u003e — image 24 × 24 cm\u003c\/p\u003e\n\n\u003cp\u003eOne format only. The negative is lost and the surviving print is in private hands, so no original dimension can be quoted and none is invented. The best traced reproduction carries 2880 pixels, which at 300 dpi — the resolution fine art paper resolves — supports an image of 24 cm. That is the sheet, and there is no larger one: we would rather offer a single honest size than a big soft poster.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\nAttributed to Félix Thiollier (1842–1914), \u003cem\u003eLady and Her Horse on a Snowy Day\u003c\/em\u003e, 1899; photograph.\u003cbr\u003e\nPrivate collection; no inventory number.\u003cbr\u003e\nPublic domain: the photograph is well over a century old and free in every market this shop serves, whoever made it.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The warm tone of the surviving print is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 30 cm \/ 11.8 × 11.8 in — Image 24 × 24 cm","offer_id":65754118586717,"sku":"MUS-007-3030","price":49.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-thiollier-lady-and-horse-plate.jpg?v=1788171997"},{"product_id":"anna-atkins-polysiphonia-fastigiata-1853-giclee-print","title":"Anna Atkins – Polysiphonia fastigiata, 1853 | Giclée Print","description":"\u003cp\u003e\u003cem\u003ePolysiphonia fastigiata\u003c\/em\u003e grows in dense tufts on the wracks of the North Atlantic, each frond a bundle of parallel tubes no thicker than a hair. Five of them lie on this sheet. The light did the rest — no line was drawn.\u003c\/p\u003e\n\n\u003cp\u003eAnna Atkins made her images without a camera. She laid the dried plant on coated paper, exposed it to daylight and rinsed it in water. Between 1843 and 1853 she did this several thousand times and produced \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e — the first book in history illustrated with photographs. Perhaps twenty-five copies were ever assembled.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhich copy.\u003c\/strong\u003e This one is the New York Public Library's — the set Atkins sent to Sir John Herschel, the astronomer who invented the cyanotype process and to whom she owed it. Because every leaf in every copy was coated, exposed and captioned by hand, no two copies are alike.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction of one of Atkins's cyanotypes, printed with pigment inks. It is not a cyanotype and is not sold as one — a real cyanotype is a unique object made in sunlight, and Atkins's are in museums.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal leaf: approx. 27 × 21 cm \/ 10.6 × 8.3 in — The New York Public Library\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 2.0× original\u003c\/p\u003e\n\n\u003cp\u003eAt original size the sheet carries the cyanotype exactly as Atkins made it. Enlarged, the five tufts read across a room and the paper grain of 1853 becomes visible — which is a different picture, and a deliberate one. Both sizes are printed at 300 dpi, the resolution fine art paper resolves.\u003c\/p\u003e\n\n\u003cp\u003eThe leaf is reproduced whole, including Atkins's handwritten species name. Only the facing page and the binding edge are trimmed away.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\nAnna Atkins (1799–1871), \u003cem\u003ePolysiphonia fastigiata\u003c\/em\u003e, from \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e, 1843–1853; cyanotype, leaf approx. 27 × 21 cm.\u003cbr\u003e\nThe New York Public Library, Spencer Collection — the copy presented to Sir John Herschel. Shelf locator: Spencer Coll. Eng. 1843 93-440.\u003cbr\u003e\nThe work is in the public domain worldwide; the Library publishes its digitisation as public domain in the United States and asks to be credited.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65755226538333,"sku":"MUS-008-3040","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 2.1× original","offer_id":65755227226461,"sku":"MUS-008-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-atkins-polysiphonia-plate-v2.jpg?v=1788200377"},{"product_id":"anna-atkins-zygnema-curvatum-1853-giclee-print","title":"Anna Atkins – Zygnema curvatum, 1853 | Giclée Print","description":"\u003cp\u003e\u003cem\u003eZygnema curvatum\u003c\/em\u003e is a freshwater alga of ponds and slow ditches — a mat of green threads so fine that a handful feels like wet silk. Dried and laid on the sensitised paper, it printed as one luminous mass, closer to a cloud than to a plant. It is the least plant-like picture in the whole album, and the most modern.\u003c\/p\u003e\n\n\u003cp\u003eAnna Atkins made her images without a camera. She laid the dried plant on coated paper, exposed it to daylight and rinsed it in water. Between 1843 and 1853 she did this several thousand times and produced \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e — the first book in history illustrated with photographs. Perhaps twenty-five copies were ever assembled.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhich copy.\u003c\/strong\u003e This one is the New York Public Library's — the set Atkins sent to Sir John Herschel, the astronomer who invented the cyanotype process and to whom she owed it. Because every leaf in every copy was coated, exposed and captioned by hand, no two copies are alike.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction of one of Atkins's cyanotypes, printed with pigment inks. It is not a cyanotype and is not sold as one — a real cyanotype is a unique object made in sunlight, and Atkins's are in museums.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal leaf: approx. 27 × 21 cm \/ 10.6 × 8.3 in — The New York Public Library\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 2.0× original\u003c\/p\u003e\n\n\u003cp\u003eAt original size the sheet carries the cyanotype exactly as Atkins made it. Enlarged, the mass fills a wall and the paper grain of 1853 becomes visible — which is a different picture, and a deliberate one. Both sizes are printed at 300 dpi, the resolution fine art paper resolves.\u003c\/p\u003e\n\n\u003cp\u003eThe leaf is reproduced whole, including Atkins's handwritten species name. Only the facing page and the binding edge are trimmed away.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003e\nAnna Atkins (1799–1871), \u003cem\u003eZygnema curvatum\u003c\/em\u003e, from \u003cem\u003ePhotographs of British Algae: Cyanotype Impressions\u003c\/em\u003e, 1843–1853; cyanotype, leaf approx. 27 × 21 cm.\u003cbr\u003e\nThe New York Public Library, Spencer Collection — the copy presented to Sir John Herschel. Shelf locator: Spencer Coll. Eng. 1843 93-440.\u003cbr\u003e\nThe work is in the public domain worldwide; the Library publishes its digitisation as public domain in the United States and asks to be credited.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65755226833245,"sku":"MUS-009-3040","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 2.1× original","offer_id":65755227259229,"sku":"MUS-009-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-atkins-zygnema-plate-v2.jpg?v=1788200378"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/collections\/museartis-atkins-ptilota-plate-v2.jpg?v=1788261246","url":"https:\/\/museartis.com\/collections\/photography.oembed","provider":"Museartis","version":"1.0","type":"link"}