{"title":"Paintings","description":"\u003cp\u003ePaintings by Monet, Munch, Rousseau, Mondrian and others, reproduced as giclée prints. Famous painting wall art with the scale of the original always stated.\u003c\/p\u003e","products":[{"product_id":"munch-starry-night-giclee-print","title":"Edvard Munch – Starry Night, 1893 | Giclée Print","description":"\u003cp\u003eIn the summer of 1893 Edvard Munch was painting at Åsgårdstrand, the small beach resort south of Oslo where he spent his summers from the 1880s onward. \u003cem\u003eStarry Night\u003c\/em\u003e is that coastline after dark. The abstract mound at the right is a clump of linden trees; a white fence runs diagonally in front of it; the shoreline is drawn with a single undulating line that continues up into the branches. Stars reflect in the water, and a flash of light shines out of the trees.\u003c\/p\u003e\n\u003cp\u003eThe picture was painted in the same year as the first version of \u003cem\u003eThe Scream\u003c\/em\u003e, and it shows the other half of the same ambition. Munch was after the emotion the night calls up rather than its picturesque qualities, and the blue carries it. The vaguely defined shape on the fence may be the shadow of two lovers — a motif that recurs throughout his work. Some passages are laid on thickly, others left almost bare, so that the lighter ground comes through the weave of the canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 135.9 × 140.3 cm \/ 53.5 × 55.2 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.42× original. Image 58.80 × 57.06 cm.\u003cbr\u003e\n\u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.30× original. Image 42.00 × 40.76 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eEdvard Munch (Norwegian, 1863–1944), \u003cem\u003eStarry Night\u003c\/em\u003e, 1893; oil on canvas, 135.9 × 140.3 cm.\u003cbr\u003e\nThe J.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-munch-starry-night\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.30× original","offer_id":65763567075677,"sku":"MUS-022-5050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.42× original","offer_id":65763567108445,"sku":"MUS-022-7070","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-022_StarryNight_plate.jpg?v=1788251489"},{"product_id":"monet-water-lilies-giclee-print","title":"Claude Monet – Water Lilies, 1906 | Giclée Print","description":"\u003cp\u003eBy 1906 Monet had been painting the water garden at Giverny for a decade, and he had taken away almost everything a landscape usually gives you. There is no bank, no horizon, no sky except as reflection. The canvas is the surface of the pond seen from above, with the lily pads laid across it in bands and the sky and willows arriving from underneath. A shadow falls across the upper third — the trees on the far side, present only as darkness on the water.\u003c\/p\u003e\n\u003cp\u003eThis canvas belongs to the group Monet showed at Durand-Ruel in 1909 under the title \u003cem\u003eLes Nymphéas, série de paysages d'eau\u003c\/em\u003e. He had been working on them for years and repeatedly refused to release them. What he was after was not the pond but the light on it at one hour, and the difficulty was that the hour kept moving.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 89.9 × 94.1 cm \/ 35.4 × 37.0 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.62× original. Image 58.80 × 56.48 cm.\u003cbr\u003e\n\u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.45× original. Image 42.00 × 40.34 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eWater Lilies\u003c\/em\u003e, 1906; oil on canvas, 89.9 × 94.1 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-monet-water-lilies\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.45× original","offer_id":65770165961053,"sku":"MUS-023-5050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.62× original","offer_id":65770165993821,"sku":"MUS-023-7070","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-023_WaterLilies_plate.jpg?v=1788264726"},{"product_id":"van-gogh-irises-giclee-print","title":"Vincent van Gogh – Irises, 1889 | Giclée Print","description":"\u003cp\u003eVan Gogh painted this in the first week after he admitted himself to the asylum at Saint-Paul-de-Mausole, outside Saint-Rémy-de-Provence, in May 1889. He was not yet allowed beyond the walls, so he painted what was inside them: a bed of irises in the garden. He called painting «the lightning conductor for my illness» and worked without a preparatory drawing, straight onto the canvas.\u003c\/p\u003e\n\u003cp\u003eThe composition owes its flatness and its cropped edges to the Japanese woodblock prints he collected. Every plant is different — leaves crossing, bending, doubling back — and one white iris stands alone at the left edge. His brother Theo sent the painting to the Salon des Indépendants that September. Its first owner was the critic Octave Mirbeau, who wrote of how well Van Gogh had understood «the exquisite nature of flowers».\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 74.3 × 94.3 cm \/ 29.3 × 37.1 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e80 × 60 cm \/ 31.5 × 23.6 in\u003c\/strong\u003e — reduced, 0.68× original. Image 63.84 × 50.40 cm.\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.45× original. Image 42.00 × 33.16 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eVincent van Gogh (Dutch, 1853–1890), \u003cem\u003eIrises\u003c\/em\u003e, 1889; oil on canvas, 74.3 × 94.3 cm.\u003cbr\u003e\nThe J.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-van-gogh-irises\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.45× original","offer_id":65770876600669,"sku":"MUS-024-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"80 × 60 cm \/ 31.5 × 23.6 in — Reduced, 0.68× original","offer_id":65770876633437,"sku":"MUS-024-8060","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-024_Irises_plate.jpg?v=1788268265"},{"product_id":"blechen-palm-house-pfaueninsel-giclee-print","title":"Carl Blechen – The Interior of the Palm House on the Pfaueninsel, 1834 | Giclée Print","description":"\u003cp\u003ePalms under glass, a shaft of daylight down the middle of the house, and figures in silk arranged among the leaves as if they were part of the planting. Carl Blechen painted this in 1834, for the king who had built the glasshouse.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 135 × 126 cm \/ 53.1 × 49.6 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.31× original. Image 39.10 × 42.00 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.41× original. Image 51.21 × 54.98 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eCarl Blechen (German, 1798–1840), \u003cem\u003eThe Interior of the Palm House on the Pfaueninsel Near Potsdam\u003c\/em\u003e, 1834.\u003cbr\u003e\nOil on canvas; 135 × 126 cm.\u003cbr\u003e\nPainted for Friedrich Wilhelm III of Prussia, who paid the artist 1000 Taler; probably given by him to his daughter Charlotte, as Tsarina Alexandra Fedorovna; in a Swiss collection by about 1920; to a public collection in 1996.\u003cbr\u003e\nPublic domain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-blechen-palm-house\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.31× original","offer_id":65773761495389,"sku":"MUS-026-5050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.41× original","offer_id":65773761528157,"sku":"MUS-026-7070","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-026_PalmHouse_plate.jpg?v=1788276892"},{"product_id":"vangogh-poets-garden-giclee-print","title":"Vincent van Gogh – The Poet’s Garden, 1888 | Giclée Print","description":"\u003cp\u003eA garden filling the whole canvas: tall grass with white flowers in front, a grove of bushes and trees behind, and above them a sky that is not blue but yellow-green. There is no horizon to speak of and almost nothing that is not foliage. Measured pixel by pixel, this is the greenest sheet in the shop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 92.1 × 73 cm \/ 36.3 × 28.7 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.46× original. Image 42.00 × 33.18 cm.\u003cbr\u003e\n\u003cstrong\u003e80 × 60 cm \/ 31.5 × 23.6 in\u003c\/strong\u003e — reduced, 0.69× original. Image 63.80 × 50.39 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eVincent van Gogh (Dutch, 1853–1890), \u003cem\u003eThe Poet's Garden\u003c\/em\u003e, 1888.\u003cbr\u003e\nOil on canvas; 73 × 92.1 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-van-gogh-poets-garden\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.46× original","offer_id":65775612199261,"sku":"MUS-028-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"80 × 60 cm \/ 31.5 × 23.6 in — Reduced, 0.69× original","offer_id":65775612232029,"sku":"MUS-028-8060","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-028_PoetsGarden_plate.jpg?v=1788280891"},{"product_id":"vangogh-pont-de-clichy-giclee-print","title":"Vincent van Gogh – Fishing in Spring, the Pont de Clichy, 1887 | Giclée Print","description":"\u003cp\u003eThe Seine at Asnières in spring, seen from under the willows, with two moored punts and a fisherman. Everything is broken into short separate strokes — green, blue, yellow, pink — laid side by side rather than mixed. This is Van Gogh in Paris in 1887, painting beside Paul Signac and trying out what the divisionists had worked out about light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 60 × 50.5 cm \/ 23.6 × 19.9 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.67× original. Image 40.27 × 33.60 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.84× original. Image 50.34 × 42.00 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eVincent van Gogh (Dutch, 1853–1890), \u003cem\u003eFishing in Spring, the Pont de Clichy (Asnières)\u003c\/em\u003e, 1887.\u003cbr\u003e\nOil on canvas; 50.5 × 60 cm.\u003cbr\u003e\nFrom the artist's sister-in-law Johanna van Gogh-Bonger to Cornelis Hoogendijk, The Hague; through family collections in Amsterdam and Switzerland; a New York gallery to Chauncey and Marion Deering McCormick, Chicago, May 1947; given to a public collection in 1965.\u003cbr\u003e\nPublic domain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-van-gogh-pont-de-clichy\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.67× original","offer_id":65775761064285,"sku":"MUS-029-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.84× original","offer_id":65775761097053,"sku":"MUS-029-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-029_PontDeClichy_plate.jpg?v=1788281679"},{"product_id":"monet-woman-with-a-parasol-giclee-print","title":"Claude Monet – Woman with a Parasol, 1875 | Giclée Print","description":"\u003cp\u003eCamille Monet stands on a hillside at Argenteuil with a green parasol against a fast, windy sky; her son Jean is behind her in the grass. Monet painted it outdoors and quickly — the canvas shows through the sky in places, because he did not go back to fill it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 81 × 100 cm \/ 31.9 × 39.4 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.41× original. Image 33.60 × 41.64 cm.\u003cbr\u003e\n\u003cstrong\u003e60 × 80 cm \/ 23.6 × 31.5 in\u003c\/strong\u003e — reduced, 0.62× original. Image 50.40 × 62.47 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eWoman with a Parasol — Madame Monet and Her Son\u003c\/em\u003e, 1875.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-monet-woman-with-a-parasol\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Reduced, 0.41× original","offer_id":65776016228701,"sku":"MUS-030-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"60 × 80 cm \/ 23.6 × 31.5 in — Reduced, 0.62× original","offer_id":65776016261469,"sku":"MUS-030-6080","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-030_Parasol_plate.jpg?v=1788283311"},{"product_id":"rousseau-equatorial-jungle-giclee-print","title":"Henri Rousseau – The Equatorial Jungle, 1909 | Giclée Print","description":"\u003cp\u003eA wall of leaves, painted leaf by leaf. Two small apes look out from the middle of it and a third hangs above; three pink blossoms and one white spike are the only breaks in the green. Measured pixel by pixel this is the greenest sheet in the shop — ninety-five per cent of the canvas carries colour, and nine tenths of that colour is green.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a twentieth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 129.5 × 140.6 cm \/ 51 × 55.4 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.30× original. Image 38.57 × 42.00 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.42× original. Image 54.00 × 58.80 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eHenri Rousseau (French, 1844–1910), \u003cem\u003eThe Equatorial Jungle\u003c\/em\u003e, 1909.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-rousseau-equatorial-jungle\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.30× original","offer_id":65776142483805,"sku":"MUS-031-5050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.42× original","offer_id":65776142516573,"sku":"MUS-031-7070","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-031_Jungle_plate.jpg?v=1788284432"},{"product_id":"monet-irises-1914-giclee-print","title":"Claude Monet – Irises, 1914–17 | Giclée Print","description":"\u003cp\u003eGreen from edge to edge, with violet irises running through it and no horizon anywhere. Monet painted this in his late seventies at Giverny, on a canvas two metres square, at the point where the garden stopped being a view and became a surface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a twentieth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 200.7 × 200 cm \/ 79 × 78.7 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.21× original. Image 42.00 × 41.93 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eIrises\u003c\/em\u003e, 1914–17.\u003cbr\u003e\nOil on canvas; 200 × 200.7 cm.\u003cbr\u003e\nThe artist; by descent to his son Michel Monet, Giverny; a Paris gallery, by 1956; sold to a public collection, 1956.\u003cbr\u003e\nPublic domain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-monet-irises-1914\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.21× original","offer_id":65776232038749,"sku":"MUS-032-5050","price":59.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-032_Irises_plate.jpg?v=1788285024"},{"product_id":"claude-monet-stacks-of-wheat-sunset-snow-effect-1890-91-giclee-print","title":"Claude Monet – Stacks of Wheat (Sunset, Snow Effect), 1890–91 | Giclée Print","description":"\u003cp\u003eA stack of threshed wheat in a field under snow, with the sun going down behind it. Monet painted the stacks near his house at Giverny through the winter of 1890–91, returning to the same subject as the light moved; this is the canvas now in a public collection, inscribed lower right «Claude Monet 91».\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 100.4 × 65.3 cm \/ 39 1\/2 × 25 11\/16 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.42× original. Image 42.00 × 27.14 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.51× original. Image 51.06 × 32.99 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eStacks of Wheat (Sunset, Snow Effect)\u003c\/em\u003e, 1890–91.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-monet-stacks-of-wheat\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.42× original","offer_id":65798954221917,"sku":"MUS-046-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.51× original","offer_id":65798954254685,"sku":"MUS-046-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/MUS-046_StacksOfWheat_plate.jpg?v=1788434462"},{"product_id":"piet-mondrian-lozenge-composition-with-yellow-black-blue-red-and-gray-1921-giclee-print","title":"Piet Mondrian – Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921 | Giclée Print","description":"\u003cp\u003eA square canvas hung on its point. The black bands stay level with the floor, so they run off the edges at four diagonals, and the picture stops looking like something held inside a frame and starts looking like a piece cut out of a field that continues past it. That is the whole argument of Mondrian's abstraction, and the diamond is where he makes it plainest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 60 × 60 cm canvas, hung on its point — 84.85 cm from side tip to side tip. Oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.49× original. Image 41.46 × 42.00 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.62× original. Image 52.43 × 53.11 cm, at exactly 300 dpi.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003ePiet Mondrian (Dutch, 1872–1944), \u003cem\u003eLozenge Composition with Yellow, Black, Blue, Red, and Gray\u003c\/em\u003e, 1921.\u003cbr\u003e\nOil on canvas, 60 × 60 cm.\u003cbr\u003e\nPublic domain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-mondrian-lozenge-1921\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.49× original","offer_id":65802466066781,"sku":"MUS-049-5050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.62× original","offer_id":65802466099549,"sku":"MUS-049-7070","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-mondrian-lozenge-plate.jpg?v=1788458574"},{"product_id":"piet-mondrian-farm-near-duivendrecht-c-1916-giclee-print","title":"Piet Mondrian – Farm near Duivendrecht, c. 1916 | Giclée Print","description":"\u003cp\u003eA low farmhouse behind bare trees, and the whole of it again upside down in the water. The sky is doing something Mondrian rarely allowed himself later: pink, apricot, a wash of green along the bank. Nothing here announces the man who would spend the 1920s painting three colours and a grid.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 86.3 × 107.9 cm, oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.39× original. Image 42.00 × 33.37 cm.\u003cbr\u003e\n\u003cstrong\u003e80 × 60 cm \/ 31.5 × 23.6 in\u003c\/strong\u003e — reduced, 0.59× original. Image 63.44 × 50.40 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003ePiet Mondrian (Dutch, 1872–1944), \u003cem\u003eFarm near Duivendrecht\u003c\/em\u003e, c. 1916.\u003cbr\u003e\nOil on canvas, 86.3 × 107.9 cm.\u003cbr\u003e\nCatalogue raisonné: Joosten and Welsh, vol. 2, no. C8.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-mondrian-duivendrecht\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.39× original","offer_id":65804271681885,"sku":"MUS-050-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"80 × 60 cm \/ 31.5 × 23.6 in — Reduced, 0.59× original","offer_id":65804271714653,"sku":"MUS-050-8060","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-mondrian-duivendrecht-plate_ee2cb36c-1d44-4e88-bc6a-282b4497003d.jpg?v=1788461398"},{"product_id":"henri-rousseau-rendezvous-in-the-forest-1889-giclee-print","title":"Henri Rousseau – Rendezvous in the Forest, 1889 | Giclée Print","description":"\u003cp\u003eA wood of thin trees, drawn branch by branch, and somewhere near the middle of it two people kissing. He is in a tricorne hat and a dark braided coat, she is in a rose gown; a third small figure in green stands a step behind them. You can look at this picture for a while before you find them, and that is the picture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eOriginal: 92 × 73 cm — oil on canvas\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.45× original. Image 33.02 × 42.00 cm.\u003cbr\u003e \u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — reduced, 0.58× original. Image 42.00 × 53.42 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eHenri Rousseau (French, 1844–1910), \u003cem\u003eRendezvous in the Forest\u003c\/em\u003e, 1889.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-rousseau-rendezvous\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Reduced, 0.45× original","offer_id":65815996662109,"sku":"MUS-055-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Reduced, 0.58× original","offer_id":65815996694877,"sku":"MUS-055-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-rousseau-rendezvous-plate.jpg?v=1788587921"},{"product_id":"henri-rousseau-tropical-forest-with-monkeys-1910-giclee-print","title":"Henri Rousseau – Tropical Forest with Monkeys, 1910 | Giclée Print","description":"\u003cp\u003eFive monkeys in a wall of leaves. One sits on a branch in the middle, black and silver, holding a white water lily as if it had been handed to him; two orange ones swing from a bough at the top right; a fifth, red-brown and almost human, stands on a rock at the front and looks straight out at you. Across the bottom runs a bank of crimson leaves that grows nowhere on earth.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eOriginal: 129.5 × 162.5 cm — oil on canvas\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.26× original. Image 42.00 × 33.55 cm.\u003cbr\u003e \u003cstrong\u003e80 × 60 cm \/ 31.5 × 23.6 in\u003c\/strong\u003e — reduced, 0.39× original. Image 63.09 × 50.40 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eHenri Rousseau (French, 1844–1910), \u003cem\u003eTropical Forest with Monkeys\u003c\/em\u003e, 1910.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-rousseau-tropical-forest-monkeys\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.26× original","offer_id":65816014291293,"sku":"MUS-056-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"80 × 60 cm \/ 31.5 × 23.6 in — Reduced, 0.39× original","offer_id":65816014324061,"sku":"MUS-056-8060","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-rousseau-tropical-forest-monkeys-plate.jpg?v=1788588028"},{"product_id":"henri-rousseau-fight-between-a-tiger-and-a-buffalo-1908-giclee-print","title":"Henri Rousseau – Fight Between a Tiger and a Buffalo, 1908 | Giclée Print","description":"\u003cp\u003eA tiger has a buffalo by the throat in the middle of a jungle that never existed. Around them: banana clusters hanging like lanterns, orange fruit, a fan of blades, and a wall of green built leaf by leaf up to a strip of pale sky. The two animals are almost the smallest thing in the picture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eOriginal: 170 × 189.5 cm — oil on fabric\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.22× original. Image 42.00 × 37.63 cm.\u003cbr\u003e \u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.31× original. Image 58.80 × 52.68 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eHenri Rousseau (French, 1844–1910), \u003cem\u003eFight Between a Tiger and a Buffalo\u003c\/em\u003e, 1908.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-rousseau-tiger-buffalo\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.22× original","offer_id":65816061772125,"sku":"MUS-057-5050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.31× original","offer_id":65816061804893,"sku":"MUS-057-7070","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-rousseau-tiger-buffalo-plate.jpg?v=1788590102"},{"product_id":"henri-rousseau-outskirts-of-paris-c-1897-1905-giclee-print","title":"Henri Rousseau – Outskirts of Paris, c. 1897–1905 | Giclée Print","description":"\u003cp\u003eA low white house with a red roof and shuttered windows, a road, a lock on the water, a few small figures, and a bank of cloud that takes up half the picture. This is the Paris Rousseau actually saw — the ring of suburbs he walked through on his days off, painted with the same patient, flat, leaf-by-leaf hand he used for the jungles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eOriginal: 37.8 × 45.8 cm — oil on fabric\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.89× original. Image 40.81 × 33.60 cm.\u003cbr\u003e \u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — enlarged, 1.11× original. Image 51.01 × 42.00 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eHenri Rousseau (French, 1844–1910), \u003cem\u003eOutskirts of Paris\u003c\/em\u003e, c. 1897–1905.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-rousseau-outskirts-paris\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.89× original","offer_id":65816123081053,"sku":"MUS-058-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Enlarged, 1.11× original","offer_id":65816123113821,"sku":"MUS-058-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-rousseau-outskirts-paris-plate.jpg?v=1788591431"},{"product_id":"edouard-manet-view-of-the-1867-exposition-universelle-giclee-print","title":"Édouard Manet – View of the 1867 Exposition Universelle | Giclée Print","description":"\u003cp\u003eParis from the hill at the Trocadéro, the summer of the great World’s Fair. The exposition halls run along the horizon, a gasworks chimney and the Pont de l’Alma light stand up out of them, and above the right-hand corner Nadar’s balloon \u003cem\u003eLe Géant\u003c\/em\u003e hangs on its rope. In front of it all, scattered across a green slope: a horseman, women in crinolines, a gardener with a hose, boys, a dog, two soldiers, a woman with a parasol. Nobody looks at anybody else.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph of the canvas. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eOriginal: 108 × 196 cm — oil on canvas\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.30× original. Image 58.80 × 32.25 cm.\u003cbr\u003e \u003cstrong\u003e100 × 70 cm \/ 39.4 × 27.6 in\u003c\/strong\u003e — reduced, 0.43× original. Image 84.00 × 46.08 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e Giclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eÉdouard Manet (French, 1832–1883), \u003cem\u003eView of the 1867 Exposition Universelle\u003c\/em\u003e, 1867.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-manet-exposition-1867\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.30× original","offer_id":65816803049821,"sku":"MUS-059-7050","price":89.0,"currency_code":"CHF","in_stock":true},{"title":"100 × 70 cm \/ 39.4 × 27.6 in — Reduced, 0.43× original","offer_id":65816803082589,"sku":"MUS-059-10070","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-manet-exposition-1867-plate.jpg?v=1788593959"},{"product_id":"edvard-munch-winter-at-nordstrand-1900-01-giclee-print","title":"Edvard Munch – Winter at Nordstrand, 1900–01 | Giclée Print","description":"\u003cp\u003eTwo pine trunks stand hard against the frozen shore at Nordstrand, south of Kristiania, and everything behind them — the dark band of the fjord, the white shelf of snow, the grey of the far bank — is laid down in long horizontal strokes that keep the eye travelling sideways.\u003c\/p\u003e\u003cp\u003eMunch painted it on unprimed cardboard, not canvas, and left the support bare in places: the brown board shows through the snow and through the sky, which is why the winter light here reads warm rather than blue.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 80 × 64.5 cm — oil on unprimed cardboard\u003c\/em\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.53× original. Image 42.00 × 33.74 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100 × 75 cm \/ 39.4 × 29.5 in\u003c\/strong\u003e — original size, 1:1. Image 80.00 × 64.27 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, centred on the sheet. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eEdvard Munch (Norwegian, 1863–1944), \u003cem\u003eWinter at Nordstrand\u003c\/em\u003e (Vinter ved Nordstrand), 1900–01.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"https:\/\/museartis.com\/pages\/sheet-record-munch-winter-nordstrand\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/museartis.com\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.53× original","offer_id":65847774511453,"sku":"MUS-061-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"100 × 75 cm \/ 39.4 × 29.5 in — Original size, 1:1","offer_id":65847774544221,"sku":"MUS-061-10075","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-061-plate.jpg?v=1788797715"},{"product_id":"jan-davidsz-de-heem-still-life-with-flowers-in-a-glass-vase-c-1650-83-giclee-print","title":"Jan Davidsz. de Heem – Still Life with Flowers in a Glass Vase, c. 1650–83 | Giclée Print","description":"\u003cp\u003eA bouquet crowded into a glass vase on a stone ledge: red and white tulips, a scarlet poppy, roses, carnations, a snake’s head fritillary, morning glories, honeysuckle, a pea pod, an ear of wheat. It is not a bouquet anyone could have picked — the flowers bloom in different months. De Heem painted them from studies, out of season, all at once.\u003c\/p\u003e\u003cp\u003eThen look closer. A red admiral sits at the top left, a snail crosses the ledge at the bottom right, caterpillars and ants work their way through the leaves, and a spider waits in the shadow. The insects are the reason the picture is more than a bouquet: they are the clock inside it.\u003c\/p\u003e\u003cp\u003eThe support is copper, not canvas — a smooth plate that takes fine brushwork the way enamel does, which is why the highlights on the glass and the water hold at any distance and the paint shows no weave.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA false signature.\u003c\/strong\u003e The painting carries the name of Rachel Ruysch, added by a later hand at a time when her flower pieces sold for more. The museum records the signature as false and gives the picture to Jan Davidsz. de Heem. It prints with the painting — a wrong signature is part of an object’s history, not a blemish to remove.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph. It is not a painting and is not sold as one.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 54.5 × 36.5 cm — oil on copper\u003c\/em\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.81× original. Image 29.60 × 43.60 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — original size, 1:1. Image 36.50 × 53.75 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, centred on the sheet. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eJan Davidsz. de Heem (Dutch, 1606–1684), \u003cem\u003eStill Life with Flowers in a Glass Vase\u003c\/em\u003e, 1650–83, oil on copper.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-de-heem-flowers-glass-vase\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Reduced, 0.81× original","offer_id":65855210520925,"sku":"MUS-066-4050","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Original size, 1:1","offer_id":65855210553693,"sku":"MUS-066-5070","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-066-deheem-plate_89399f4e-3717-4826-8083-3ff08af45cee.jpg?v=1788846262"},{"product_id":"claude-monet-sandvika-norway-1895-giclee-print","title":"Claude Monet – Sandvika, Norway, 1895 | Giclée Print","description":"\u003cp\u003eA bridge crosses the river at Sandvika, a village outside Christiania, and behind it the roofs of the village sit under snow, with a mountain rising into a sky barely a shade lighter than itself. The snow is painted in blue and lilac rather than white.\u003c\/p\u003e\u003cp\u003eMonet spent two months in Norway in the winter of 1895, staying with his stepson Jacques Hoschedé, and came home with twenty-nine canvases. At least six of them show Sandvika; the museum suggests that its bridge may have reminded him of the Japanese bridge in his own garden at Giverny. Signed lower left, \u003cem\u003eClaude Monet 95\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 92.5 × 73.4 cm — oil on canvas\u003c\/em\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.45× original. Image 42.00 × 32.86 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100 × 75 cm \/ 39.4 × 29.5 in\u003c\/strong\u003e — reduced, 0.82× original, the largest this file prints at 300 dpi. Image 75.55 × 59.11 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, centred on the sheet. The colour of the museum’s file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eSandvika, Norway\u003c\/em\u003e, 1895.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"https:\/\/museartis.com\/pages\/sheet-record-monet-sandvika\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/museartis.com\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.45× original","offer_id":65855407915357,"sku":"MUS-067-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"100 × 75 cm \/ 39.4 × 29.5 in — Reduced, 0.82× original","offer_id":65855407948125,"sku":"MUS-067-10075","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-monet-sandvika-plate_d9de20d6-f027-4fb2-a236-2006a34d92b1.jpg?v=1788850126"},{"product_id":"john-constable-cloud-study-1821-giclee-print","title":"John Constable – Cloud Study, 1821 | Giclée Print","description":"\u003cp\u003eNo horizon, no landscape, no place — only sky. Constable set his board down on Hampstead Heath on the afternoon of 13 September 1821 and painted what was over his head: a bank of altocumulus breaking up, warm grey against blue, laid in fast with a loaded brush.\u003c\/p\u003e\n\u003cp\u003eOn the back he wrote what he had seen, in ink on a small parchment label: “Sept’r 13th one o’clock. Slight wind at North West, which became tempestuous in the afternoon, with Rain all the night following.” He did this for every study of that autumn — hour, wind, and the weather before and after. It is a painter keeping a weather record.\u003c\/p\u003e\n\u003cp\u003eThis is the first of the studies with no horizon line at all, and September was his month: he thought its skies had a “peculiar tone and beauty”.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum’s own open-access photograph. It is not an oil painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 24.8 × 30.2 cm \/ 9.8 × 11.9 in — oil on paper laid on board\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — original size, 1:1. Image 30.20 × 25.59 cm.\u003cbr\u003e\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — enlarged, 1.19× original. Image 36.07 × 30.56 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA note on the height.\u003c\/strong\u003e The catalogued size is 24.8 × 30.2 cm; the photograph of the sheet is proportioned a little differently, so at 1:1 the printed height comes out at 25.6 cm. We anchor the width and leave the file as it is rather than stretch it. Our assumption, stated as an assumption: the catalogue measures the board, the photograph shows the paper laid on it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eJohn Constable (1776–1837), \u003cem\u003eCloud Study\u003c\/em\u003e, 13 September 1821; oil on paper laid on board, 24.8 × 30.2 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-constable-cloud-study\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Original size, 1:1","offer_id":65883348533597,"sku":"MUS-068-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Enlarged, 1.19× original","offer_id":65883348566365,"sku":"MUS-068-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-068-plate.jpg?v=1789052534"},{"product_id":"claude-monet-stacks-of-wheat-end-of-summer-1890-91-giclee-print","title":"Claude Monet – Stacks of Wheat (End of Summer), 1890–91 | Giclée Print","description":"\u003cp\u003eTwo stacks of wheat stand in a stubble field outside Monet's house at Giverny late on a summer afternoon, with a row of poplars and the roofs of the village behind them and the shadows laid blue across the ground. When Monet hung fifteen of these canvases together at Durand-Ruel's gallery in Paris in May 1891, this one was number one in the catalogue.\u003c\/p\u003e\n\u003cp\u003eA Paris gallery bought it during the show, sold it to a collector in Boston in June, took it back in August in exchange for another Monet, and sold it the same day to a collector in Chicago. A public collection holds it, inscribed lower left «Claude Monet 91».\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 100.5 × 60 cm \/ 39 9\/16 × 23 5\/8 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.42× original. Image 42.00 × 24.82 cm.\u003cbr\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.58× original. Image 58.29 × 34.44 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eStacks of Wheat (End of Summer)\u003c\/em\u003e, 1890–91, oil on canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-monet-stacks-of-wheat-end-of-summer\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.42× original","offer_id":65969608950109,"sku":"MUS-076-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.58× original","offer_id":65969608982877,"sku":"MUS-076-7050","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-076-plate.jpg?v=1789899318"},{"product_id":"gustave-caillebotte-paris-street-rainy-day-1877-giclee-print","title":"Gustave Caillebotte – Paris Street; Rainy Day, 1877 | Giclée Print","description":"\u003cp\u003eA Paris crossroads in the rain, a short walk from Caillebotte's own house: wet cobbles, new apartment blocks cut to Haussmann's plan, a gas lamp standing dead centre, and a couple under one umbrella walking straight at you, glancing at something outside the frame. There are no raindrops anywhere. The rain is in the umbrellas and in the shine on the stones.\u003c\/p\u003e\n\u003cp\u003eIt is Caillebotte's largest and most ambitious painting, more than two and a half metres wide, and when the third Impressionist exhibition opened in April 1877 it was number one in the catalogue. A public collection holds it, inscribed lower left «G. Caillebotte. 1877».\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 276.2 × 212.2 cm \/ 108 3\/4 × 83 1\/2 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.15× original. Image 42.00 × 32.61 cm.\u003cbr\u003e\n\u003cstrong\u003e100 × 75 cm \/ 39.4 × 29.5 in\u003c\/strong\u003e — reduced, 0.30× original. Image 84.00 × 65.23 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eGustave Caillebotte (French, 1848–1894), \u003cem\u003eParis Street; Rainy Day\u003c\/em\u003e, 1877, oil on canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-caillebotte-paris-street-rainy-day\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.15× original","offer_id":65970089591133,"sku":"MUS-078-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"100 × 75 cm \/ 39.4 × 29.5 in — Reduced, 0.30× original","offer_id":65970089623901,"sku":"MUS-078-10075","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-078-plate.jpg?v=1789901875"},{"product_id":"georges-seurat-a-sunday-on-la-grande-jatte-1884-1884-86-giclee-print","title":"Georges Seurat – A Sunday on La Grande Jatte — 1884, 1884–86 | Giclée Print","description":"\u003cp\u003eA Sunday afternoon on an island in the Seine, just outside Paris: people of every age and class resting in the shade, a woman fishing, a couple in their Sunday best with a monkey on a leash, boats on the water. Up close the whole thing dissolves into small dots and dashes of pure colour laid side by side. Seurat worked on it for two years, came back to it to add figures, and later painted a border of dots around the edge. The border is in the museum's file and is printed too.\u003c\/p\u003e\n\u003cp\u003eIt was the sensation of the eighth and last Impressionist exhibition in May 1886. It hangs in a public collection; it is the painting Cameron stares at in \u003cem\u003eFerris Bueller's Day Off\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own open-access photograph of the canvas. It is not a nineteenth-century painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 308.1 × 207.5 cm \/ 121 1\/4 × 81 3\/4 in — oil on canvas\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.14× original. Image 42.00 × 28.14 cm.\u003cbr\u003e\n\u003cstrong\u003e100 × 70 cm \/ 39.4 × 27.6 in\u003c\/strong\u003e — reduced, 0.26× original. Image 78.83 × 52.81 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003e\nGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eGeorges Seurat (French, 1859–1891), \u003cem\u003eA Sunday on La Grande Jatte — 1884\u003c\/em\u003e, 1884–86, border added 1888–89, oil on canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-seurat-grande-jatte\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.14× original","offer_id":65970146574685,"sku":"MUS-079-5040","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"100 × 70 cm \/ 39.4 × 27.6 in — Reduced, 0.26× original","offer_id":65970146607453,"sku":"MUS-079-10070","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-079-plate.jpg?v=1789902405"},{"product_id":"claude-monet-bed-of-chrysanthemums-1897-giclee-print","title":"Claude Monet – Bed of Chrysanthemums, 1897 | Giclée Print","description":"\u003cp\u003eA bed of chrysanthemums seen from above, with no sky, no path and no edge: pink, white, rust-red and yellow blooms crowd the whole canvas against a dark blue-green ground. Monet painted it in 1897, most likely that autumn, as one of four chrysanthemum canvases he showed together at a Paris gallery in June 1898.\u003c\/p\u003e\n\u003cp\u003eReviewing that show, the critic Gustave Geffroy wrote of an «effet de tapisserie»: the flowers are laid flat across the surface like a woven hanging, not set in a garden you could walk into. In 2022 the Paris exhibition «Le décor impressionniste» placed this canvas among the sources of Monet's water-lily decorations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 100.5 × 81.7 cm — oil on canvas\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.42× original. Image 42.00 × 34.01 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.54× original. Image 54.66 × 44.26 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The canvas is a metre wide. The museum's photograph holds enough detail for 54.66 cm of image at 300 dpi, the floor we print to, so the large sheet reproduces it pixel for pixel at a little over half the width of the painting, and the small sheet at about two fifths. We do not enlarge files artificially: an upscaled file adds detail Monet never painted. A larger sheet would need a larger photograph, and when one exists we will print it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eClaude Monet (French, 1840–1926), \u003cem\u003eMassif de chrysanthèmes\u003c\/em\u003e (\u003cem\u003eBed of Chrysanthemums\u003c\/em\u003e), 1897, oil on canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-monet-bed-of-chrysanthemums\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.42× original","offer_id":66046175084893,"sku":"MUS-094-5040","price":36.4,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.54× original","offer_id":66046175117661,"sku":"MUS-094-7050","price":52.5,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-094-plate.jpg?v=1790367209"},{"product_id":"paul-gauguin-ta-matete-the-market-1892-giclee-print","title":"Paul Gauguin – Ta matete (The Market), 1892 | Giclée Print","description":"\u003cp\u003eFive women sit side by side on a green bench in strict profile, their hands raised in small, deliberate gestures, while figures cross a pale square behind them under blue tree trunks. Gauguin painted the canvas in 1892, during his first stay in Tahiti, and lettered its title, TA MATETE – the market – straight into the paint at the lower left.\u003c\/p\u003e\n\u003cp\u003eThe frieze-like order is borrowed: he kept a photograph of an Egyptian tomb painting from Thebes and moved its seated figures and raised hands into a Tahitian scene. He painted on coarse jute, and its weave shows through the colour everywhere; the print keeps it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 91.5 × 73.2 cm — oil on jute\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.46× original. Image 42.00 × 33.36 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.56× original. Image 51.26 × 40.71 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The canvas is 91.5 cm wide. The museum's photograph holds enough detail for 51.26 cm of image at 300 dpi, the floor we print to, so the large sheet reproduces it pixel for pixel at a little over half the width of the painting, and the small sheet at just under half. On the large sheet that leaves wider white margins at the sides than usual, 9.4 cm each. We do not enlarge files artificially: an upscaled file adds detail Gauguin never painted. A larger sheet would need a larger photograph, and when one exists we will print it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003ePaul Gauguin (French, 1848–1903), \u003cem\u003eTa matete\u003c\/em\u003e (\u003cem\u003eThe Market\u003c\/em\u003e), 1892, oil on jute.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-gauguin-ta-matete\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.46× original","offer_id":66112763593053,"sku":"93612d1d-f0d3-4992-85e2-167d6aacf571","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.56× original","offer_id":66112763625821,"sku":"b24c7384-614d-48bf-91dd-32c03fe28ef4","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-101-plate.jpg?v=1791021477"},{"product_id":"wassily-kandinsky-la-fleche-the-arrow-1943-giclee-print","title":"Wassily Kandinsky – La flèche (The Arrow), 1943 | Giclée Print","description":"\u003cp\u003eA small arrow – a pale triangle on a curved, copper-coloured shaft – flies across a deep ultramarine ground. Around it float forms that look half like instruments and half like living things: a red, spotted creature trailing tendrils, a striped crescent curling into an S, a ladder-like figure on the left, a harp on a pedestal on the right. Kandinsky painted it in February 1943 at Neuilly-sur-Seine outside Paris, the year before his death, in oil on cardboard.\u003c\/p\u003e\n\u003cp\u003eHe numbered it 711 in his own list and wrote the number on the back. The picture has no up or down that announces itself: in 1981 the catalogue of the Cologne exhibition «Westkunst» printed it upside down, and the museum's literature list still notes the slip.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 57.9 × 41.9 cm — oil on cardboard\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 40 cm \/ 19.7 × 15.7 in\u003c\/strong\u003e — reduced, 0.73× original. Image 42.00 × 30.22 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.96× original. Image 55.86 × 40.18 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The painting is 57.9 cm wide. The museum's photograph holds enough detail for 55.86 cm of image at 300 dpi, the floor we print to, so the large sheet reproduces it pixel for pixel at 96 % of the painting's width – about two centimetres short of original size. The small sheet prints it at three quarters. We do not enlarge files artificially: an upscaled file adds detail Kandinsky never painted, which is why there is no 1:1 sheet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot available in the United States.\u003c\/strong\u003e Kandinsky died in 1944, so the painting is in the public domain in Switzerland, the European Union and the United Kingdom. In the United States a work first published after 1930 stays protected for 95 years from publication, and this one is still protected there. We therefore do not ship this print to US addresses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eWassily Kandinsky (Russian, 1866–1944), \u003cem\u003eLa flèche\u003c\/em\u003e (\u003cem\u003eThe Arrow\u003c\/em\u003e), 1943, oil on cardboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-kandinsky-la-fleche\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 40 cm \/ 19.7 × 15.7 in — Reduced, 0.73× original","offer_id":66115217621341,"sku":"af3435dd-77ad-4411-a843-868bb373787b","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.96× original","offer_id":66115217654109,"sku":"b95218e1-2ae1-410f-8ae6-b83d062c949f","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-102-plate.jpg?v=1791052458"},{"product_id":"wassily-kandinsky-improvisation-35-1914-giclee-print","title":"Wassily Kandinsky – Improvisation 35, 1914 | Giclée Print","description":"\u003cp\u003eNo horizon, no figure, no centre: red, yellow, deep blue and a dark bottle-green burst across the canvas, crossed by fine black lines that seem drawn at speed. Kandinsky painted it in Munich in May 1914, and it is the last of his numbered Improvisations – the series of pictures he made between 1909 and 1914 and named, like music, for how they were made.\u003c\/p\u003e\n\u003cp\u003eHe had defined the term himself in \u003cem\u003eOn the Spiritual in Art\u003c\/em\u003e (1911): an Improvisation is a largely unconscious, spontaneous expression of an inner state. Three months after this one he left Germany for Switzerland at the outbreak of war. The canvas later passed into a public collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 120.3 × 110.3 cm — oil on canvas\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 50 cm \/ 19.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.35× original. Image 42.00 × 38.21 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e70 × 70 cm \/ 27.6 × 27.6 in\u003c\/strong\u003e — reduced, 0.43× original. Image 51.41 × 46.76 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The canvas is 120 cm wide. The museum's photograph holds enough detail for 51.41 cm of image at 300 dpi, the floor we print to, so the large sheet reproduces it pixel for pixel at a little over two fifths of the painting's width, and the small sheet at about a third. On the large sheet that leaves wide white margins, 9.3 cm at the sides. We do not enlarge files artificially: an upscaled file adds detail Kandinsky never painted. A larger sheet would need a larger photograph, and when one exists we will print it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eWassily Kandinsky (Russian, 1866–1944), \u003cem\u003eImprovisation 35\u003c\/em\u003e, 1914, oil on canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-kandinsky-improvisation-35\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"50 × 50 cm \/ 19.7 × 19.7 in — Reduced, 0.35× original","offer_id":66115411738973,"sku":"b32e40f3-c2da-4f48-a50b-5cd435f580e6","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"70 × 70 cm \/ 27.6 × 27.6 in — Reduced, 0.43× original","offer_id":66115411771741,"sku":"b1e6a9b1-2418-4406-a247-14e0018df8f4","price":109.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-103-plate.jpg?v=1791056971"},{"product_id":"el-lissitzky-proun-1d-c-1919-giclee-print","title":"El Lissitzky – Proun 1D, c. 1919 | Giclée Print","description":"\u003cp\u003eGrey beams and blocks hang in front of a black disc, drawn in exact perspective yet resting on nothing; a broad diagonal band runs from the lower left out through the top right corner. El Lissitzky painted the composition around 1919 in Vitebsk, where he taught alongside Kazimir Malevich, and soon renamed it with the word he coined for these pictures: Proun – Pro Unovis, after the artists' group they had founded there.\u003c\/p\u003e\n\u003cp\u003eThe picture has hung both ways. A photograph of 1919 shows a version upright on the wall of his studio; the group's almanac printed it on its side in 1920. In 1974 his widow confirmed the landscape hanging that the museum follows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 96.1 × 71.6 cm — oil on canvas on plywood\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.61× original. Image 58.80 × 43.65 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100 × 70 cm \/ 39.4 × 27.6 in\u003c\/strong\u003e — reduced, 0.85× original. Image 82.11 × 60.95 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The painting is 96 cm wide. The museum's photograph holds enough detail for 82.11 cm of image at 300 dpi, the floor we print to, so the large sheet reproduces it pixel for pixel at 85 % of the painting's width – a big picture, close to the presence of the original. The small sheet prints it at three fifths. We do not enlarge files artificially: an upscaled file adds detail Lissitzky never painted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eEl Lissitzky (Russian, 1890–1941), \u003cem\u003eProun 1D\u003c\/em\u003e, c. 1919, oil on canvas on plywood.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-lissitzky-proun-1d\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.61× original","offer_id":66115445555549,"sku":"a888eaf3-9051-48b3-b660-fcb4c7102dd2","price":89.0,"currency_code":"CHF","in_stock":true},{"title":"100 × 70 cm \/ 39.4 × 27.6 in — Reduced, 0.85× original","offer_id":66115445588317,"sku":"9f77bd62-b369-42fa-8667-e1a9b827bf4f","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-104-plate.jpg?v=1791057813"},{"product_id":"wassily-kandinsky-heavy-red-1924-giclee-print","title":"Wassily Kandinsky – Heavy Red, 1924 | Giclée Print","description":"\u003cp\u003eA deep crimson field fills the middle of the canvas, held between a yellow wedge on the right, a violet one on the left and a band of blue-green along the top. Over it float circles of every size – pale blue, apricot, yellow, ringed in black – crossed by thin arcs, with a chequered stair of yellow and orange blocks and a dark beam in the lower left. Kandinsky painted it in July 1924 in Weimar, in his third year as a teacher at the Bauhaus.\u003c\/p\u003e\n\u003cp\u003eHe called it \u003cem\u003eSchweres Rot\u003c\/em\u003e – Heavy Red – and wrote the title, the year and his catalogue number 276 on the back. Red, he had written in \u003cem\u003eOn the Spiritual in Art\u003c\/em\u003e, carries an almost purposeful force; here it is the weight the whole picture rests on.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 48.7 × 58.7 cm — oil on canvas\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.69× original. Image 33.60 × 40.66 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — reduced, 0.79× original. Image 38.69 × 46.82 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The painting is 48.7 cm wide. The museum's photograph holds enough detail for 38.69 cm of image at 300 dpi, the floor we print to, so the large sheet reproduces it pixel for pixel at four fifths of its size, with a generous white border, and the small sheet at a little over two thirds. We do not enlarge files artificially: an upscaled file adds detail Kandinsky never painted, which is why there is no 1:1 sheet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eWassily Kandinsky (Russian, 1866–1944), \u003cem\u003eSchweres Rot\u003c\/em\u003e (\u003cem\u003eHeavy Red\u003c\/em\u003e), 1924, oil on canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-kandinsky-heavy-red\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Reduced, 0.69× original","offer_id":66115485270365,"sku":"651d8027-e63b-4d06-911f-2bca4852245b","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Reduced, 0.79× original","offer_id":66115485303133,"sku":"69f098fa-8988-4d68-9701-4c1d4d55493e","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-105-plate.jpg?v=1791058509"},{"product_id":"paul-klee-vegetable-analytic-pflanzen-analytisches-1932-giclee-print","title":"Paul Klee – Pflanzen-Analytisches (Vegetable-Analytic), 1932 | Giclée Print","description":"\u003cp\u003eA strip of canvas barely nineteen centimetres wide, read from the bottom up like a plant growing. On a pink ground Klee stacks small signs drawn in black: a five-sided leaf and a leaning white stalk at the foot, a white drop hanging from a dark red stem in a grey-green band, a white bowl with a crown-shaped bloom on a red square, and at the top a pale, round seed or moon. He painted it in 1932, while he taught at the Düsseldorf academy, in watercolour on a gesso ground laid on canvas.\u003c\/p\u003e\n\u003cp\u003eKlee entered it in his own catalogue as 1932, 229 (V 9). The order of the signs is easy to lose: in 1976 an essay on Klee printed it upside down, and the museum's literature list still notes the slip.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 19 × 53.5–54 cm — watercolour on gesso ground on canvas, mounted on cardboard\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — reduced, 0.80× original. Image 16.31 × 43.60 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — original size, 1:1. Image 20.39 × 54.51 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The canvas is 53.5 cm high on the right and 54 cm on the left. The museum's photograph holds 308 dpi at that size, above the 300 dpi floor we print to, so the large sheet shows the picture at original size, with a wide white border on either side of the narrow strip. The image measures include the frayed threads at the edges, which run a little beyond the catalogued canvas; we print them as they are. The small sheet is set by its height and shows the picture at four fifths.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot available in the United States.\u003c\/strong\u003e Klee died in 1940, so the painting is in the public domain in Switzerland, the European Union and the United Kingdom. In the United States a work first published after 1930 can stay protected for 95 years from publication, and we cannot rule that out for this one. We therefore do not ship this print to US addresses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003ePaul Klee (German, born in Switzerland, 1879–1940), \u003cem\u003ePflanzen-Analytisches\u003c\/em\u003e (\u003cem\u003eVegetable-Analytic\u003c\/em\u003e), 1932, watercolour on gesso ground on canvas on cardboard. Acquired directly from the artist in 1932 by a private collector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-klee-pflanzen-analytisches\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Reduced, 0.80× original","offer_id":66115509616989,"sku":"1d4ae73f-75f4-4500-8502-76d3f0ba0ae0","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Original size, 1:1","offer_id":66115509649757,"sku":"b806e3e9-e647-41c9-9ef9-f51b5c908af7","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-106-plate.jpg?v=1791059540"},{"product_id":"paul-klee-mit-sonnenschirm-with-an-umbrella-1939-giclee-print","title":"Paul Klee – mit Sonnenschirm (With an Umbrella), 1939 | Giclée Print","description":"\u003cp\u003eA figure strides to the left through a dark, slate-blue night: a small grey head, a big red body like a lantern, two black stick legs, and above it all a yellow umbrella, flat as a half moon, held on one long black handle. The outlines are drawn in thick black; under the thin blue watercolour the black ground shows through, brushy and uneven. Klee made it in Bern in 1939, the last full year of his life, in which he entered more than twelve hundred works in his catalogue.\u003c\/p\u003e\n\u003cp\u003eThis one is no. 868 of that year. Klee signed it lower left on the sheet and wrote the date and the title on the card below, spelling it with a mark over the n, as in old German handwriting: \u003cem\u003emit Soñenschirm\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the sheet. It is not an original and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 19.5 × 36.6 cm — watercolour and pencil on black ground on paper\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — original size, 1:1. Image 19.65 × 36.54 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — enlarged, 1.45× original. Image 28.51 × 53.02 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The museum's photograph holds 435 dpi at original size, so the small sheet shows the picture exactly as large as Klee made it, with a wide white border. The large sheet enlarges it as far as the file carries at 300 dpi, the floor we print to: 1.45 times, pixel for pixel, nothing added. The image measures run to the outermost edge of Klee's sheet, which is cut by hand and a few millimetres narrower at the bottom than at the top.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot available in the United States.\u003c\/strong\u003e Klee died in 1940, so the work is in the public domain in Switzerland, the European Union and the United Kingdom. In the United States a work first published after 1930 can stay protected for 95 years from publication, and we cannot rule that out for this one. We therefore do not ship this print to US addresses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003ePaul Klee (German, born in Switzerland, 1879–1940), \u003cem\u003emit Sonnenschirm\u003c\/em\u003e (\u003cem\u003eWith an Umbrella\u003c\/em\u003e), 1939, watercolour and pencil on black ground on paper, mounted on a second paper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-klee-mit-sonnenschirm\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Original size, 1:1","offer_id":66115826319709,"sku":"0329e62a-b75d-48cc-a031-1ef0fa5bd7c4","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.45× original","offer_id":66115826352477,"sku":"057813c8-3444-4d33-8673-2ef4f3be8d60","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-107-plate.jpg?v=1791061083"},{"product_id":"paul-klee-schwarz-noch-am-ort-black-still-in-place-1940-giclee-print","title":"Paul Klee – Schwarz, noch am Ort (Black, Still in Place), 1940 | Giclée Print","description":"\u003cp\u003eA narrow strip of canvas, painted a loud chrome yellow and laid on paper. At the top sits a big black disc, dense and dry, like a sun that has gone out; below it a rust-red patch, a scatter of small grey-green flecks like falling seeds, a brown-black tuft, a cloud of olive grey and a few red marks at the foot. The threads of the canvas fray out on all four sides. Klee painted it in tempera in 1940, in the last months of his life in Bern, and called it \u003cem\u003eSchwarz, noch am Ort\u003c\/em\u003e – black, still in place.\u003c\/p\u003e\n\u003cp\u003eHe signed it lower right on the canvas and wrote the title, with the date and the number 1940 z 15, on the paper below. After his death in June 1940 it stayed with his widow Lily Klee until 1946.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the work. It is not an original and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 9.2 × 31 cm — tempera on canvas, mounted on paper\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e40 × 50 cm \/ 15.7 × 19.7 in\u003c\/strong\u003e — original size, 1:1. Image 10.26 × 31.26 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — enlarged, 1.52× original. Image 15.60 × 47.52 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The museum's photograph holds 456 dpi at original size, so the small sheet shows the picture exactly as large as Klee painted it – a slim strip in a wide white field. The large sheet enlarges it as far as the file carries at 300 dpi, the floor we print to: 1.52 times, pixel for pixel, nothing added. The image measures include the frayed threads, which reach a little beyond the catalogued canvas; we print them as they are.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot available in the United States.\u003c\/strong\u003e Klee died in 1940, so the work is in the public domain in Switzerland, the European Union and the United Kingdom. In the United States a work first published after 1930 can stay protected for 95 years from publication, and we cannot rule that out for this one. We therefore do not ship this print to US addresses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003ePaul Klee (German, born in Switzerland, 1879–1940), \u003cem\u003eSchwarz, noch am Ort\u003c\/em\u003e (\u003cem\u003eBlack, Still in Place\u003c\/em\u003e), 1940, tempera on canvas, mounted on paper. Lily Klee, Bern, 1940–1946.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-klee-schwarz-noch-am-ort\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"40 × 50 cm \/ 15.7 × 19.7 in — Original size, 1:1","offer_id":66115886514525,"sku":"d185f128-4cfe-4fd3-beab-32878a631f62","price":59.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.52× original","offer_id":66115886547293,"sku":"362a0ab0-9bac-4929-8974-5d8e1e323e7d","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-108-plate.jpg?v=1791061867"},{"product_id":"sophie-taeuber-arp-bewegtes-kreisbild-animated-circle-picture-1934-giclee-print","title":"Sophie Taeuber-Arp – Bewegtes Kreisbild (Animated Circle Picture), 1934 | Giclée Print","description":"\u003cp\u003eSeventeen circles of exactly the same size float on an off-white ground: six grey, three black, three dark blue, five light blue. Most of them gather in a loose block in the upper middle, packed so tightly that some just touch; the rest drift off on their own – a pair to the left, one to the right, three near the bottom edge. Sophie Taeuber-Arp painted it in oil in 1934 and, according to her friend Max Bill, called it a «Päng-Bild» – a bang picture.\u003c\/p\u003e\n\u003cp\u003eBill, who wrote about it in 1943, saw first a cheerful hovering, like a juggler's balls or a gambler's dice, and then an order: groups that move together like a chorus, and the clear space between them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks from the museum's own photograph of the painting. It is not a painting and is not sold as one.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOriginal: 100 × 72.5 cm — oil on canvas\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e70 × 50 cm \/ 27.6 × 19.7 in\u003c\/strong\u003e — reduced, 0.59× original. Image 58.80 × 42.60 cm.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e100 × 70 cm \/ 39.4 × 27.6 in\u003c\/strong\u003e — reduced, 0.82× original. Image 81.75 × 59.22 cm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy this size.\u003c\/strong\u003e The painting is a metre wide. The museum's photograph holds enough detail for 81.75 cm of image at 300 dpi, the floor we print to, so the large sheet reproduces it pixel for pixel at a little over four fifths of its size. The small sheet prints it at three fifths. We do not enlarge files artificially: an upscaled file adds detail Taeuber-Arp never painted, which is why there is no 1:1 sheet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot available in the United States.\u003c\/strong\u003e Sophie Taeuber-Arp died in 1943, so the painting is in the public domain in Switzerland, the European Union and the United Kingdom. In the United States a work first published after 1930 can stay protected for 95 years from publication, and this one may still be protected there. We therefore do not ship this print to US addresses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre, with a small Museartis wordmark in the lower left margin. The colour of the museum's file is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSophie Taeuber-Arp (Swiss, 1889–1943), \u003cem\u003eBewegtes Kreisbild\u003c\/em\u003e (\u003cem\u003eAnimated Circle Picture\u003c\/em\u003e), 1934, oil on canvas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhere this comes from\u003c\/strong\u003e\u003cbr\u003eThe museum file, the measurements, and what we are allowed to sell: \u003ca href=\"\/pages\/sheet-record-taeuber-arp-bewegtes-kreisbild\"\u003ethe record for this sheet\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFurther reading\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"\/blogs\/notes\/why-this-print-is-not-bigger\"\u003eWhy This Print Is Not Bigger\u003c\/a\u003e\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"70 × 50 cm \/ 27.6 × 19.7 in — Reduced, 0.59× original","offer_id":66115912204637,"sku":"f13473af-c49b-4f74-98d7-af60d1f8de24","price":89.0,"currency_code":"CHF","in_stock":true},{"title":"100 × 70 cm \/ 39.4 × 27.6 in — Reduced, 0.82× original","offer_id":66115912237405,"sku":"3765ebe2-683a-48d1-b024-278702bec0fc","price":129.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-MUS-109-plate.jpg?v=1791063485"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/collections\/MUS-022_StarryNight_plate.jpg?v=1788261248","url":"https:\/\/museartis.com\/collections\/paintings.oembed?page=2","provider":"Museartis","version":"1.0","type":"link"}