{"title":"Eight Views of the Parlour — Harunobu, 1766","description":"\u003cp\u003eSuzuki Harunobu takes the classical Chinese cycle of the Eight Views — evening snow, returning sails, descending geese, the temple bell, night rain, the autumn moon — and moves every one of them into a Japanese living room. The snowfall becomes the floss heaped on a lacquer stand, the geese become the bridges of a koto, the moon becomes a mirror on a dressing table, the rain becomes water poured for tea. A \u003cem\u003emitate\u003c\/em\u003e, a picture parody, that only works if you know the landscape it replaces.\u003c\/p\u003e\u003cp\u003eThe eight sheets are also among the first full-colour woodblock prints ever made: Harunobu forced the \u003cem\u003enishiki-e\u003c\/em\u003e technique through from 1765, and this is the series that carried it. All eight are in the Art Institute of Chicago, Clarence Buckingham Collection, and all are public domain.\u003c\/p\u003e\u003cp\u003eEight sheets, chūban format, 29 × 21.7 cm at original size.\u003c\/p\u003e","products":[{"product_id":"suzuki-harunobu-folding-fan-clear-day-1765-giclee-print","title":"Suzuki Harunobu – A Folding Fan: Clear Day (Ōgi no seiran), 1765 | Giclée Print","description":"\u003cp\u003eTwo women in a doorway, one holding a folding fan against her cheek. The fan is the picture's whole subject: in the Chinese canon of the Eight Views, this is \u003cem\u003eClearing Weather at a Mountain Village\u003c\/em\u003e, and Harunobu has moved the clearing sky into a fan held in a Japanese house.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made: Harunobu forced the \u003cem\u003enishiki-e\u003c\/em\u003e technique through in 1765, and this sheet is from that year.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 28.8 × 21.7 cm \/ 11 1\/4 × 8 1\/2 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eA Folding Fan—A Clear Day (Ōgi no seiran)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, 1765; colour woodblock print, chūban, 28.8 × 21.7 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.896.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972160495965,"sku":"3209b45d-b30a-4566-85b0-e464e20eb630","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972166721885,"sku":"de8051a2-e138-4218-b494-5423af7d4fa1","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-folding-fan-plate.jpg?v=1789931367"},{"product_id":"suzuki-harunobu-evening-snow-floss-shaper-giclee-print","title":"Suzuki Harunobu – Evening Snow on a Floss Shaper (Nurioke no bosetsu), c. 1766 | Giclée Print","description":"\u003cp\u003eA woman kneels beside a lacquered floss shaper, the white silk floss heaped over it like a drift. That heap is the snow: in the Chinese canon this view is \u003cem\u003eEvening Snow on a River\u003c\/em\u003e, and Harunobu has brought the snowfall indoors, onto a household tool.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made, the \u003cem\u003enishiki-e\u003c\/em\u003e Harunobu forced through from 1765.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 28.7 × 21.6 cm \/ 11 1\/4 × 8 1\/2 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eEvening Snow on a Floss Shaper (Nurioke no bosetsu)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, c. 1766; colour woodblock print, chūban, 28.7 × 21.6 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.903.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972160528733,"sku":"80c9e640-d3c7-4b15-b2e6-d175e797e886","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972166754653,"sku":"a6552b01-8dd1-4c7a-b09c-5a4819ff2363","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-evening-snow-floss-shaper-plate.jpg?v=1789931367"},{"product_id":"suzuki-harunobu-evening-bell-of-the-clock-giclee-print","title":"Suzuki Harunobu – The Evening Bell of the Clock (Tokei no banshō), c. 1766 | Giclée Print","description":"\u003cp\u003eA girl leans on a young woman's shoulder while a lantern clock stands on its shelf. In the Chinese canon this view is \u003cem\u003eThe Evening Bell of a Distant Temple\u003c\/em\u003e; here the temple bell has become the striking of a domestic clock, heard in a quiet room.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made, the \u003cem\u003enishiki-e\u003c\/em\u003e Harunobu forced through from 1765.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 28.5 × 21.7 cm \/ 11 1\/4 × 8 1\/2 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eThe Evening Bell of the Clock (Tokei no banshō)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, c. 1766; colour woodblock print, chūban, 28.5 × 21.7 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.902.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972160561501,"sku":"bb9f9a86-8f75-4410-8ba5-23ea6fa83471","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972166787421,"sku":"9fe8ebf8-bed8-4f74-b49b-746bee47afde","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-evening-bell-clock-plate.jpg?v=1789931367"},{"product_id":"suzuki-harunobu-evening-glow-of-a-lamp-giclee-print","title":"Suzuki Harunobu – The Evening Glow of a Lamp (Andon no sekishō), c. 1766 | Giclée Print","description":"\u003cp\u003eTwo figures beside a paper lamp, the light held inside the shade. In the Chinese canon this view is \u003cem\u003eGlow of Sunset over a Fishing Village\u003c\/em\u003e — the evening sun, reduced to the lamp that lights a room after dark.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made, the \u003cem\u003enishiki-e\u003c\/em\u003e Harunobu forced through from 1765.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 28.6 × 21.5 cm \/ 11 1\/4 × 8 1\/2 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eThe Evening Glow of a Lamp (Andon no sekishō)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, c. 1766; colour woodblock print, chūban, 28.6 × 21.5 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.900.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972160627037,"sku":"b132b774-1ace-4c0b-bd15-86732daff968","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972166820189,"sku":"a8a497a9-3ac4-4b0a-b7ac-739656133762","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-evening-glow-lamp-plate.jpg?v=1789931368"},{"product_id":"suzuki-harunobu-descending-geese-koto-bridges-giclee-print","title":"Suzuki Harunobu – Descending Geese of the Koto Bridges (Kotoji no rakugan), c. 1766 | Giclée Print","description":"\u003cp\u003eA young woman tunes a koto while another listens. The row of bridges along the instrument is the picture: in the Chinese canon this view is \u003cem\u003eWild Geese Descending to a Sandbar\u003c\/em\u003e, and the geese have become the koto bridges, stepping down the soundboard in a line.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made, the \u003cem\u003enishiki-e\u003c\/em\u003e Harunobu forced through from 1765.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 29 × 21.7 cm \/ 11 3\/8 × 8 1\/2 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eDescending Geese of the Koto Bridges (Kotoji no rakugan)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, c. 1766; colour woodblock print, chūban, 29 × 21.7 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.899.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972162789725,"sku":"d9b15ea4-966b-414e-b3f5-776677255303","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972166852957,"sku":"36bf611d-f2d9-401f-9141-a7835670cc2c","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-descending-geese-koto-plate.jpg?v=1789931482"},{"product_id":"suzuki-harunobu-autumn-moon-in-the-mirror-giclee-print","title":"Suzuki Harunobu – The Autumn Moon in the Mirror (Kyodai no shūgetsu), c. 1766 | Giclée Print","description":"\u003cp\u003eA woman at her dressing table, the round mirror standing clear above the stand. In the Chinese canon this view is \u003cem\u003eAutumn Moon over Lake Dongting\u003c\/em\u003e; the full moon has become the mirror, rising over the lacquer.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made, the \u003cem\u003enishiki-e\u003c\/em\u003e Harunobu forced through from 1765.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 28.8 × 21.8 cm \/ 11 1\/4 × 8 3\/8 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eThe Autumn Moon in the Mirror (Kyodai no shūgetsu)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, c. 1766; colour woodblock print, chūban, 28.8 × 21.8 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.898.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972162855261,"sku":"fe8b790c-f0e9-4e24-b553-482119ddead6","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972166918493,"sku":"52d215cc-a987-4849-82c4-caa9cb957622","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-autumn-moon-mirror-plate.jpg?v=1789931482"},{"product_id":"suzuki-harunobu-returning-sails-towel-rack-giclee-print","title":"Suzuki Harunobu – Returning Sails of the Towel Rack (Tenugui-kake no kihan), c. 1766 | Giclée Print","description":"\u003cp\u003eA cloth hangs over a wooden towel rack and lifts in the draught. In the Chinese canon this view is \u003cem\u003eReturning Sails off a Distant Shore\u003c\/em\u003e: the sail has become a towel, and the harbour a corner of a room.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made, the \u003cem\u003enishiki-e\u003c\/em\u003e Harunobu forced through from 1765.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 28.7 × 21.6 cm \/ 11 1\/4 × 8 1\/2 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eReturning Sails of the Towel Rack (Tenugui-kake no kihan)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, c. 1766; colour woodblock print, chūban, 28.7 × 21.6 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.901.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972162888029,"sku":"2a905ba7-d723-410f-931b-6c9ab554f29f","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972166951261,"sku":"9630508f-e1d9-4822-8847-9a7b7b7e4da6","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-returning-sails-towel-rack-plate.jpg?v=1789931482"},{"product_id":"suzuki-harunobu-night-rain-of-the-tea-stand-giclee-print","title":"Suzuki Harunobu – Night Rain of the Tea Stand (Daisu no yau), c. 1766 | Giclée Print","description":"\u003cp\u003eWater is poured for tea, and the sound of it standing in for weather. In the Chinese canon this view is \u003cem\u003eNight Rain on the Xiao and Xiang Rivers\u003c\/em\u003e: the rain has become the water at the tea stand, heard rather than seen.\u003c\/p\u003e\n\u003cp\u003eThe series turns the old landscape cycle into eight objects in a living room — a parody, a \u003cem\u003emitate\u003c\/em\u003e, which only works if you know the landscape it replaces. These are also among the first full-colour woodblock prints ever made, the \u003cem\u003enishiki-e\u003c\/em\u003e Harunobu forced through from 1765.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat this is.\u003c\/strong\u003e A giclée reproduction printed with pigment inks. It is not a woodblock print and is not sold as one — a woodblock print is pulled by hand from cut cherry blocks, and the good impressions are in museums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScale\u003c\/strong\u003e\u003cbr\u003e\n\u003cem\u003eOriginal: 28.7 × 21.6 cm \/ 11 1\/4 × 8 1\/2 in — chūban, Art Institute of Chicago\u003c\/em\u003e\u003cbr\u003e\n\u003cstrong\u003e30 × 40 cm \/ 11.8 × 15.7 in\u003c\/strong\u003e — Original size, 1:1\u003cbr\u003e\n\u003cstrong\u003e50 × 70 cm \/ 19.7 × 27.6 in\u003c\/strong\u003e — Enlarged, 1.7× original\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cbr\u003eSuzuki Harunobu (Japanese, 1725–1770), \u003cem\u003eNight Rain of the Tea Stand (Daisu no yau)\u003c\/em\u003e, from the series \u003cem\u003eEight Views of the Parlour (Zashiki hakkei)\u003c\/em\u003e, c. 1766; colour woodblock print, chūban, 28.7 × 21.6 cm.\u003cbr\u003eThe Art Institute of Chicago, Clarence Buckingham Collection, Acc. No. 1928.897.\u003cbr\u003ePublic domain; the museum publishes its digitisation under CC0.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe print\u003c\/strong\u003e\u003cbr\u003eGiclée on 200 gsm FSC-certified fine art paper, twelve pigment inks. White border, optical centre. The paper tone of the original is kept, not corrected. Unframed. Shipped rolled in a tube.\u003c\/p\u003e","brand":"Museartis","offers":[{"title":"30 × 40 cm \/ 11.8 × 15.7 in — Original size, 1:1","offer_id":65972162920797,"sku":"7e71f270-cf01-4221-bf41-a11be0c3c74a","price":49.0,"currency_code":"CHF","in_stock":true},{"title":"50 × 70 cm \/ 19.7 × 27.6 in — Enlarged, 1.7× original","offer_id":65972167016797,"sku":"e33ee312-2507-442e-88cc-58d4f857f53e","price":89.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1102\/7139\/8237\/files\/museartis-harunobu-night-rain-tea-stand-plate.jpg?v=1789931482"}],"url":"https:\/\/museartis.com\/collections\/eight-views-of-the-parlour-harunobu-1766.oembed","provider":"Museartis","version":"1.0","type":"link"}